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Posted by escape on 24 December 2012 - 06:33 AM
Posted by CheungyDiver on 27 September 2014 - 02:28 PM
I have just finished a series of video clips from the Lembeh Straits using a Sony A7s, Nauticam housing and my custom 5X lens. A DIY led light integrated macro port plus two RG Blue lights. Here is the first one. I used a saturated grading style as I am interested in bringing out the color and texture. Even aperture at F32, DOF is paper thin. A bit of vignette is added. Hope you will enjoy it.
Posted by Scuba_SI on 05 September 2014 - 08:55 PM
Hi everyone, here's a post about the video that was on the front page recently. Shot in Ha'apai, Tonga with and Epic, GH4 and a GoPro 3+ Black.
It was so much fun and the edit was done whilst still on the trip, so before I put it out in 4k I will likely re-compose it.
Thanks for viewing:
Posted by edmond320 on 14 April 2014 - 08:27 AM
Different people use different ways to achieve what they want. To my concern, what is good ,what is bad, it doesn't matter. What matters to me is the process to find my own resolution while I face problem and if I can get what I want at the end.
Your comments are loud and clear regarding using different system on supporting underwater camera. And I thank you your input to my topic.
I would also like to said that my topic is BMPCC filming setting. I post my pictures is in respond to a gentleman asking a more detail regarding the platform I made to support BMPCC housing.
Please accept my apology that I open this topic is to discuss the issue relating to BMPCC housing. Other than that, you are welcome to open your topic.
Happy diving to all of you.
Posted by gecko1 on 11 February 2014 - 01:48 PM
Fantastic dive sunday with my buddy Rob. We sat 4 Giant Pacific Octopus at Point Lobos State Reserve in Carmel, CA. One of them was quite interactive.
Full gallery here:
Investigating my camera.
My buddy Rob's View
Rob gets the treatment
Giant Pacific Octopus
More Giant Pacific Octopus
Posted by girelle on 11 January 2014 - 12:29 AM
Some of my best pictures , taken in Lembeh , at the end of December .
OMD-EM5 , with 60 mm Olympus with +10 Subsee or + 15 Saga , even for the commensal schrimp picture 3 :+15 Saga and Inon ucl 165 ...
1 Sometimes we can be very lucky !!
Phyllodesnium Rudmani , that I founded myself and I'm very proud of that !!
4 This one , is the only one which has been slightly cropped
Posted by vetdiver on 03 January 2013 - 07:31 AM
This year, after 20 years of diving open circuit, I got certified to dive on a closed-circuit rebreather. My class was at the beginning of July, and I had to put aside my camera for a while afterwards so I could become comfortable with new buoyancy and other skills. The first day I took my camera back out, I was pretty nervous; I could hardly shoot for constantly checking my pO2. That dive day coincided with what we in Southern California see as a nearly annual event - an influx of jellyfish that come in briefly, then disappear. This year's jelly was a pretty uncommon one, the black sea nettle. (I had only seen one of these before, years ago, and it was pretty beaten up.) Seeing tens of them in the water column on this day was incredible. We brought some friends out to shoot them 2 days later, and the vis and jelly numbers had dropped precipitously.
This image was my favorite of the year because it was the first real encounter I'd had with these creatures...and most of all because it was my first day getting used to diving a rebreather with my camera in hand. I didn't take many photos, but because there weren't a bunch of exhalation bubbles, I got a few keepers anyways.
Here's to great diving and successful shooting in 2013!!
Posted by SimonSpear on 23 July 2014 - 01:45 PM
This clip was straight from the camera. The codec is pretty robust so I'm sure you could make the turtle pink with green spots if you know how to do it, but why would you want to make it look like your eyes see? If you want that there are plenty of less expensive cameras that can do it!
Posted by escape on 22 June 2014 - 06:53 AM
Could you give us some feedback on the whole new system?
You came from Canon FF system and I love your film so I'm curious on your feelings on this completely different world
Posted by CheungyDiver on 10 June 2014 - 06:56 PM
There is a Broadcast Asia Show next week in Singapore. I shall take a good look at the Atomos Shogun recorder/monitor for myself. This would make a nice combo with the GH4. It would be even better if these two devices could be combined in some ways to make the housing more like a conventional video camera housing IMHO.
Posted by Cp on 29 May 2014 - 07:04 AM
Here's a 2 and a half minute video from the Panasonic GH4 in Cat Island last week:
I also wanted to show this shoulder/stability rig that Ryan made up for me as I was leaving for the airport. It made the whole thing a bit larger and more awkward on land, but underwater it was terrific. I would typically move the monitor higher when I shot, but it was nice to be able to move around as needed for the sun angle.
Posted by Glasseye Snapper on 03 November 2013 - 10:13 AM
I just felt an urge to comment on the exceptional skills, knowledge, helpfulness, comraderie, and general quality of information posted by the wetpixel community. I guess we all have come to expect this but it is becoming a rare thing to find on the net, with many photography sites being particularly nasty, empty-minded or just congratulatory.
Kudos to all
Posted by ehanauer on 16 October 2013 - 07:24 AM
Posted by Ryan on 02 July 2013 - 04:56 AM
My take is that this is really best left to the individual photographer... They should test both setups, and decide what works best for their own situation.
All superwide rectilinear lenses exhibit some corner softness. Some more than others. 17-35 is about in the middle.
As you know, some lenses require a diopter to focus behind a dome. 17-35 does not in Zen 230.
Single element closeup lenses narrow the fov, increase CA, and induce a strong pincushion distortion. They also tend to sharpen up corners. But how important are the corners in most shots?
Personally, I am tending to not use the diopters whenever possible, as it seems counterintuitive for me to give up the field of view and increase distortion when I don't have to. I'd rather zoom in a bit, or stop down more, in situations where corner softness will create an issue.