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#323193 Favourite Image Of 2012

Posted by Torchuck on 24 December 2012 - 03:40 AM

The two main ideas I exploited this year.
Half-water and long exposure.
Philippines. Balicasag.
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Thailnd. Sail Rock.
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#323202 Highlights of 2012

Posted by escape on 24 December 2012 - 06:33 AM

[vimeohd]56187603[/vimeohd]
I've been lucky to dive a lot of amazing place this year.
This is short compilation of footage from 2012 trips.
Shot on Canon 7D and 5D Mark III in Nauticam.
happy holidays everyone!
EJ.


#323092 Favourite Image Of 2012

Posted by loftus on 21 December 2012 - 07:17 PM

Not just a favorite image also a favorite first time underwater experience for 2012; the sheer chaos and excitement of sailfish in a bait ball. Hopefully I will get to experience it again next month.

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#353017 Lembeh Straits Extreme Macro

Posted by CheungyDiver on 27 September 2014 - 02:28 PM

Hi Folks

 

I have just finished a series of video clips from the Lembeh Straits using a Sony A7s, Nauticam housing and my custom 5X lens. A DIY led light integrated macro port plus two RG Blue lights. Here is the first one. I used a saturated grading style as I am interested in bringing out the color and texture. Even aperture at F32, DOF is paper thin.  A bit of vignette is added. Hope you will enjoy it. 

 

 

 

 

 

 




#352343 Tonga above and below

Posted by Scuba_SI on 05 September 2014 - 08:55 PM

Hi everyone, here's a post about the video that was on the front page recently.  Shot in Ha'apai, Tonga with and Epic, GH4 and a GoPro 3+ Black.

It was so much fun and the edit was done whilst still on the trip, so before I put it out in 4k I will likely re-compose it.

Thanks for viewing:




#346184 BMPCC underwater filming setting

Posted by edmond320 on 14 April 2014 - 08:27 AM

Different people use different ways to achieve what they want. To my concern, what is good ,what is bad, it doesn't matter. What matters to me is the process to find my own resolution while I face problem and if I can get what I want at the end. 

Your comments are loud and clear regarding using different system on supporting underwater camera. And I thank you your input to my topic.

I would also like to said that my topic is BMPCC filming setting. I post my pictures is in respond to a gentleman asking a more detail regarding the platform I made to support BMPCC housing. 

Please accept my apology that I open this topic is to discuss the issue relating to BMPCC housing. Other than that, you are welcome to open your topic.

Happy diving to all of you.

 

Cheers

Edmond




#343207 Mugged by a Giant Octopus

Posted by gecko1 on 11 February 2014 - 01:48 PM

Fantastic dive sunday with my buddy Rob. We sat 4 Giant Pacific Octopus at Point Lobos State Reserve in Carmel, CA. One of them was quite interactive.

 

Full gallery here:

 

http://www.baue.org/...l/BetosOctopus/

 

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Investigating my camera.

 

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My buddy Rob's View

 

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Rob gets the treatment

 

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Giant Pacific Octopus

 

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More Giant Pacific Octopus

 

Clinton




#341710 "Souvenirs "from Lembeh OMD -EM5

Posted by girelle on 11 January 2014 - 12:29 AM

Some of my best pictures , taken in Lembeh , at the end of December .

OMD-EM5 , with 60 mm Olympus with +10 Subsee or + 15 Saga , even for the commensal schrimp  picture 3  :+15 Saga and Inon ucl 165 ...

 

1  Sometimes we can be very lucky !!

 

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2

 

Phyllodesnium  Rudmani , that I founded myself and I'm very proud of that !!

 

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4 This one , is the only one which has been slightly cropped 

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5

 

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6

 

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7

 

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#335589 Love hurts!

Posted by Alex_Tattersall on 09 August 2013 - 01:21 PM

A little kiss 
 
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is not really as nice as it seems
 
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Olympus OMD-EM5, Nauticam NA-EM5, 12-50mm (mode macro), 2x INON Z240, 1/100, F18, ISO 200



#323728 Favourite Image Of 2012

Posted by vetdiver on 03 January 2013 - 07:31 AM

I love this thread - Pam Murph, your image is lovely, and I love the humor of the model's Mickey ears!

This year, after 20 years of diving open circuit, I got certified to dive on a closed-circuit rebreather. My class was at the beginning of July, and I had to put aside my camera for a while afterwards so I could become comfortable with new buoyancy and other skills. The first day I took my camera back out, I was pretty nervous; I could hardly shoot for constantly checking my pO2. That dive day coincided with what we in Southern California see as a nearly annual event - an influx of jellyfish that come in briefly, then disappear. This year's jelly was a pretty uncommon one, the black sea nettle. (I had only seen one of these before, years ago, and it was pretty beaten up.) Seeing tens of them in the water column on this day was incredible. We brought some friends out to shoot them 2 days later, and the vis and jelly numbers had dropped precipitously.

This image was my favorite of the year because it was the first real encounter I'd had with these creatures...and most of all because it was my first day getting used to diving a rebreather with my camera in hand. I didn't take many photos, but because there weren't a bunch of exhalation bubbles, I got a few keepers anyways.

Here's to great diving and successful shooting in 2013!!

Attached Images

  • black sea nettle (1 of 1).jpg



#323360 Favourite Image Of 2012

Posted by Bigeye Bubblefish on 27 December 2012 - 09:02 AM

I love this thread... so much inspirational.

Last week in the Maldives.
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But I also like very much this one taken last June during Alex's workshop in the Red Sea.
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#323170 Favourite Image Of 2012

Posted by cgarcia on 23 December 2012 - 11:50 AM

Here are two of my favourites. The first is from Turks and Caicos and the second from a trip with Alex Mustard to Isla Mujeres.

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#315182 Underwater photography - The professionals

Posted by John Bantin on 24 August 2012 - 01:32 PM

The best way to make a small fortune from underwater photography is to start with a large fortune!


#350723 Upcoming Panasonic GH-4K

Posted by SimonSpear on 23 July 2014 - 01:45 PM

This clip was straight from the camera.  The codec is pretty robust so I'm sure you could make the turtle pink with green spots if you know how to do it, but why would you want to make it look like your eyes see?  If you want that there are plenty of less expensive cameras that can do it!




#349331 Upcoming Panasonic GH-4K

Posted by escape on 22 June 2014 - 06:53 AM

Hi EunJae,

Could you give us some feedback on the whole new system?
You came from Canon FF system and I love your film so I'm curious on your feelings on this completely different world :)

Thanks

 

- Widest rectilinear for GH4 is Pany 7-14mm but on 4k mode FOV is not that wide (for me).
- I have smallhd dp4 and it's works nice (syncing faster then my canon dslr).
- Focus Peaking and Zebra function is great to use.
- I'm not happy with ergonomic of MIL housing when using with tray & handle (buttons on these housing are design for without handle).
- I don't like color of MWB wide angle footage (compare to canon dslr) but surprisingly, native file include lot of color data and planty of room for fixing in post.
 
4K resolution from this small camera is great. I can't wait to try some macro shooting.



#348918 GH4 footage and rig pic

Posted by CheungyDiver on 10 June 2014 - 06:56 PM

There is a Broadcast Asia Show next week in Singapore. I shall take a good look at the Atomos Shogun recorder/monitor for myself. This would make a nice combo with the GH4. It would be even better if these two devices could be combined in some ways to make the housing more like a conventional video camera housing IMHO.




#348327 GH4 footage and rig pic

Posted by Cp on 29 May 2014 - 07:04 AM

Hi all,

 

Here's a 2 and a half minute video from the Panasonic GH4 in Cat Island last week:

 

 

I also wanted to show this shoulder/stability rig that Ryan made up for me as I was leaving for the airport. It made the whole thing a bit larger and more awkward on land, but underwater it was terrific. I would typically move the monitor higher when I shot, but it was nice to be able to move around as needed for the sun angle. 

 

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Cp

 

 




#338942 wetpixel, a breath of fresh air

Posted by Glasseye Snapper on 03 November 2013 - 10:13 AM

I just felt an urge to comment on the exceptional skills, knowledge, helpfulness, comraderie, and general quality of information posted by the wetpixel community. I guess we all have come to expect this but it is becoming a rare thing to find on the net, with many photography sites being particularly nasty, empty-minded or just congratulatory.

 

Kudos to all

 

Bart




#338203 View from the Rinse Bucket

Posted by ehanauer on 16 October 2013 - 07:24 AM

I've posted my latest video, "View from the Rinse Bucket" on YouTube.  It was shown at the San Diego UnderSea Film Exhibition last Saturday.  If an underwater camera could talk, this is what it might say:

 




#333766 Nikon 17-35mm on D800 with Zen 230mm dome - diopter needed?

Posted by Ryan on 02 July 2013 - 04:56 AM

My take is that this is really best left to the individual photographer...  They should test both setups, and decide what works best for their own situation.

 

All superwide rectilinear lenses exhibit some corner softness.  Some more than others.  17-35 is about in the middle.

 

As you know, some lenses require a diopter to focus behind a dome.  17-35 does not in Zen 230.

 

Single element closeup lenses narrow the fov, increase CA, and induce a strong pincushion distortion.  They also tend to sharpen up corners.  But how important are the corners in most shots?  

 

Personally, I am tending to not use the diopters whenever possible, as it seems counterintuitive for me to give up the field of view and increase distortion when I don't have to.  I'd rather zoom in a bit, or stop down more, in situations where corner softness will create an issue.