New LED Lights from L&M
#41
Posted 20 November 2007 - 02:03 PM
#42
Posted 20 November 2007 - 02:32 PM
The prototype battery required an additional bulkhead in the housing connected to a metal box attached to the top of the housing, but this obviously won't be in the final version.
I'd try to get Shawn to post some sample footage, but he hasn't slept much in the last few weeks and is headed out to Indo in two days.
#43
Posted 29 February 2008 - 02:50 PM
Dan
Light & Motion Bluefin HD, Sony FX1, L&M HID's
Previous: AquaVideo FX1, L&M Bluefin Pro V900
#44
Posted 29 February 2008 - 03:14 PM
I wonder how LED selection allows them to have better CRI than halogen?
I'm curious why LMI didn't state what the CRI is in that article. They've done the "proper selection"; they know what it is.
- Col. John "Hannibal" Smith
------
Nikon, Seatool, Nexus, Inon
My Galleries
#45
Posted 29 February 2008 - 07:28 PM
Moderator
"Journalism is what someone else does not want printed, everything else is public relations."
#46
Posted 01 March 2008 - 03:25 AM
Dan
Light & Motion Bluefin HD, Sony FX1, L&M HID's
Previous: AquaVideo FX1, L&M Bluefin Pro V900
#47
Posted 01 March 2008 - 08:55 AM
According to this chart, LMI's claim that LED CRI can surpass halogen if properly selected means that they didn't properly select their LEDs.
Any company that is getting only an 85 CRI out of halogen is doing it wrong. A halogen that is being run in the halogen cycle will have a CRI of 100. LMI's halogen is spec'ed at 23 lumens/watt. There are halogens that produce 40 lumens/watt though they're always higher wattage bulbs. LMI's halogen isn't running hot enough.
Notice that LMI's HID product is only 43 lumens/watt IGNORING ballast efficiency and probably 36-39 overall. That's not enough of an advantage over a good 50W, 32 l/w halogen to justify all the downsides i.e. ballasts, warm-up, poor CRI, expense and costly replacement bulbs IMO. A properly done 50W halogen outpowers the LMI HID and renders color better.
Why didn't LMI include wattage in their LED lights in this table? They did for the others.
Photographic "high CRI" is 90 or greater. Light sources that do not possess "high CRI" should not have their CCTs compared. You cannot say with any assurance which light will be a better match to anything based on CCTs alone unless they are sufficiently full-spectrum.
The article linked to is not written from a photographic perspective and their claim that high CRI is above 80 may be true of general purpose lighting but it is not true for the interests of people on this board. When HMI lighting was created, and all it is is HID modified to solve the CRI problem, every HMI lamp had a CRI over 90. There's a reason for that. The Sylvania article did say this:
"However, since CRI figures are calculated for light sources of a specific color temperature, it is not valid to compare a 2700K, 82 CRI light source to one of 3500K, 85 CRI."
You should never compare CCTs of light sources that don't have high CRI. Sadly, the typical manufacturer of underwater lighting is ignorant of that.
I don't believe that CCT is "the most important factor". Good color rendering, a smooth beam, good coverage, and adequate power are all important and arguably more important than CCT. Good CCT means that the light is a better match for ambient in mixed lighting situations. That's irrelevant if the lighting hasn't met other requirements first.
The LMI LED lights look much more appealing than their HID light. I'd like to see better CRI but since the standard has sank so low with HID most people will be pleased.
- Col. John "Hannibal" Smith
------
Nikon, Seatool, Nexus, Inon
My Galleries
#48
Posted 05 March 2008 - 08:22 PM
Now the real issue is whether the new HD cameras can actually use the 100CRI beam anyhow. Which would make for a good experiment for shooting a color chart with HMI, HID, LED and halogen lighting (WB to a 18% grey card) and use a vector scope to see the effectiveness of each on video. Any volunteers?
Moderator
"Journalism is what someone else does not want printed, everything else is public relations."
#49
Posted 05 March 2008 - 09:05 PM
I do that for my strobes using the color checker chart, but strobes have very good CRI and the colors on that chart are accurate.
I'm sure all cameras are sensitive to the full visible spectrum so 100 CRI should be of benefit. It's not clear how different the results would be though.
- Col. John "Hannibal" Smith
------
Nikon, Seatool, Nexus, Inon
My Galleries
#50
Posted 09 March 2008 - 01:12 AM
Moderator
"Journalism is what someone else does not want printed, everything else is public relations."
#51
Posted 12 April 2008 - 04:46 AM
I notice B&H now has the Sunray 1000s at $2,299.
L&M tell me they are no longer building the long "X-pods", the ones that run the full length of the Bluefin FX1. Which is a shame because I feel the full length gives more stability when the housing is laid on sand. But they will do an upgrade to an existing set of lights that has the long pods. That still costs $1,799 however, which makes it a very close decision to just getting a new set and keeping/selling the old ones.
There's a lot of talk about the 2000s but I think for many people the 1000s might be more suitable. I'm told it has 3 settings: Full, half and quarter, and that the half power is near the Elite's full power. In other words they're bright and of course they are cheaper.
#52
Posted 12 April 2008 - 09:40 PM
Moderator
"Journalism is what someone else does not want printed, everything else is public relations."
#53
Posted 15 April 2008 - 06:28 AM
#54
Posted 15 April 2008 - 09:58 PM
L&M price list here
Sunray 1000 page here
B&H Sunray 1000 page here
For the upgrade you send in the pods and they change the bulkhead which has 3 pins instead of 2 so the head and pod can communicate.
I think you can keep your old heads but they won't work with the upgraded pods.
I don't know if the upgrade includes a new pair of batteries so I will ask. The latest batteries give 3000 mAH in the 10.5" pod length, which is the same as what the older 11.75" batteries for the FX1 pod gave. They are no longer making the longer FX1 length pods. I am pondering an upgrade to my longer pods and just packing the extra space if I get new batteries (which would be shorter).
#55
Posted 16 April 2008 - 05:03 AM
Edited by biminitwist, 16 April 2008 - 05:05 AM.
#56
Posted 16 April 2008 - 06:20 AM
#57
Posted 17 April 2008 - 06:37 AM
The upgrade does not include batteries. The upgrade is two light heads and
the parts and labor for the pod modifications. Pod modification includes a
new bulkhead and new circuit board.
Yes, old light heads can be kept.
We'll have a Sunray 2000 upgrade also once we have determined costing. It
will be the same path; two new light heads and pod modification.
We have dropped our price on all batteries and our charger to $150 and $89
respectively.
FYI - The Sunray 2000s have three power settings like the Sunray 1000s, full
- half - quarter.
#58
Posted 17 April 2008 - 07:29 AM
I got this from L&M:
The upgrade does not include batteries. The upgrade is two light heads and
the parts and labor for the pod modifications. Pod modification includes a
new bulkhead and new circuit board.
Yes, old light heads can be kept.
We'll have a Sunray 2000 upgrade also once we have determined costing. It
will be the same path; two new light heads and pod modification.
We have dropped our price on all batteries and our charger to $150 and $89
respectively.
FYI - The Sunray 2000s have three power settings like the Sunray 1000s, full
- half - quarter.
#59
Posted 17 April 2008 - 07:36 AM
Does anyone understand why the connector on the battery pod needs to be changed for a Sunray1000 upgrade (or why the Sunray 1000 has a different connector?
An upgraded pod would no longer work with an older, e.g. halogen, light head???
My understanding of the operation of the earlier battery pods, like the 35W halogen, is that they achieved multi-levels by PWM (pulse width modulation) of the battery. This would also work with LEDs.
Any insights???
Art99
#60
Posted 17 April 2008 - 08:15 AM
