New LED Lights from L&M
#141
Posted 23 July 2008 - 08:09 AM
Water vis was poor, very green, but hey, I suppose getting wet is better than nothing.
http://www.vimeo.com/1391938
#142
Posted 29 July 2008 - 01:41 PM
Finally, here's a photo of how I rigged some bouyancy floats on the Gates HC7/9 housing and Sunray 1000 lights. As the battery pods and the GAS mounting adapter tend to make this rig a little negative, this setup helps mitigate that. It's still slightly negative, well balanced.Thanks. Judging from your description of the buoyancy tubes they are also toward the underside of your rig paralleling the batteries. ... Thanks again. John
#143
Posted 10 August 2008 - 10:13 AM
Vic
Olympus SP-350 in an Ikelite with DS-125 for stills
#144
Posted 12 August 2008 - 03:10 PM
WHen I made my prior posts with attached images.. there was a section to browse to an image file saved on my computer, and a button to upload it. Thats what I did... I had to downsize the images prior however due to the maximum upload file size.... Is there an easy way to insert a .JPG picture into a post, or does it have to have a URL link?
Vic
#145
Posted 12 August 2008 - 04:11 PM
Yes, these new L & M lights look promising, and I plan to see them at DEMA. The actual dates for DEMA are October 22-25, 2008.
Good post!
Shine a Light!
Bill Macdonald
www.youtube.com/007bmac
#147
Posted 14 August 2008 - 10:22 AM
There was only one thing that I was not too fond of however. The supplied Lock-Line arms take a bit of a force to "snap" the arms into the light heads. I have a fear that during this muscling process that I might accidently break the power connection fitting. The bulkhead connector where the cord enters the lighthead on the 1000s its made of plastic. When snapping the two together, this part of the light is at risk.
So I devised an intermediate "adapter" consisting of two pieces of plastic. One is permanently bolted to the light head. The other is muscled and "snapped" onto the arm. (by this method nothing of value is at risk of being damaged.) Then the two plastic parts are simply bolted together with a locknut and bolt. It takes a couple of tools to assemble in the field, but I'd rather do that than risk damaging the lighthead. Here's a photo of the homemade adapter, apart and when assembled.
#148
Posted 14 August 2008 - 11:29 AM
Where did you find the black plastic pipe you used for your floats, or did you paint it black?
Thanks for any info.
Vic
Olympus SP-350 in an Ikelite with DS-125 for stills
#149
Posted 14 August 2008 - 07:44 PM
#150
Posted 15 August 2008 - 04:03 AM
I got a set of the sunray 2000 lights in April and have used them now in Fiji and in Tonga. The lights are bright enough that I was able to use cyan filters in daylight and white-balance the camera for the ambient light. I could shoot soft coral wide-angle shots using the lights to fill in detail without the background going silvery-flat. And the burn-time is excellent. Finally, a great step forward in UW video lighting....
Tell us more... I can't wait to try them out, but don't have a "real" trip planned till the end of December. Which Cyan filters do you use, also what camera and housing are you using.
Thanks for the info.
Vic
Olympus SP-350 in an Ikelite with DS-125 for stills
#151
Posted 15 August 2008 - 10:23 AM
Its black ABS plastic pipe and ends. Not painted. Our local family owned full service hardware store here in Bellingham (Hardware Sales) stocks Black ABS plastic pipe in various diameters, and the end caps too, and the epoxy. I happened to use 1-1/2" diameter because they had a 4' scrap piece lying about, but I recall seeing 2" diamenter also. Not sure if Home Depot has this stuff or not. I suppose checking with a plumbing supply house that caters to contractors would have what you need. I'm not sure, but this stuff may also be used for electrical conduit too. Perhaps check with an electrical supply firm as well.Mike-
Where did you find the black plastic pipe you used for your floats, or did you paint it black?
Thanks for any info.
Vic
I... I was able to use cyan filters in daylight
Yes, I too am curious to know which CC filter you use on the camera, and which CYAN filters you selected for the lights. Thanks!
Edited by wolfeeldiver, 15 August 2008 - 10:30 AM.
#152
Posted 15 August 2008 - 05:21 PM
If you note from the spiny dogfish video, it shows 2 distinct beam spots on the sea floor. Right in the middle is the overlap of the 2 beams. Wide angle is where you can see why Craig's old watervision head needed 16k lumens at 180° beam vs the 2k lumens at 75°. His 16K lumens sounds amazing, spread the beam out to cover almost 3x the area and it's significantly reduced in brightness, thus Craig noted he had trouble illuminating past 4 ft in daylight.
It's not just about the lumens per watt but the quality of the beam. With the 2 tight beams shooting at a mobile object, the dogfish swims into several dark zones as you can see from 0:38 to 0:41. With a wider beam of say 100°, you can avoid that. There is a risk of getting some sort of backscatter if the beam is too wide but you can place the lamp farther away from the port. As mentioned many times before by others, it's about placement of the lamp as well.
Shooting wide angle with lights at night shows a lot more of a beam pattern's irregularities. This allows the user to know what to expect from the lamps. Still, it depends on what you are shooting. A narrower beam allows the shooter to play with lighting a bit better, whereas a wider beam obviously illuminates more evenly.
Choosing your lights to create a certain esthetique look is what it's all about. Then of course there's CRI, lumens per watt and beam patterns to consider
Moderator
"Journalism is what someone else does not want printed, everything else is public relations."
#153
Posted 15 August 2008 - 06:01 PM
#154
Posted 20 August 2008 - 10:52 AM
In 50 degree F waters I kept them on continously for most of two dives. I got a total of about 1.5 hours of run time at full power, then the batteries ran out. discovered that when the Sunray 1000s batteries start to run low, they switch from high power to a lower power setting automatically. That sort of gives you a clue the batteries are low. Then eventually they will just stop working.
Edited by wolfeeldiver, 20 August 2008 - 10:59 AM.
#155
Posted 21 August 2008 - 07:22 PM
WB was set to a white slate for most of the video.
#156
Posted 22 August 2008 - 03:55 AM
Very nice, and very steady. The color and clarity is wonderful, great detail, and edited like you must do this alot. I'll give you five stars.
Any tricks for keeping steady? Especially when on Macro?
Vic
Olympus SP-350 in an Ikelite with DS-125 for stills
#157
Posted 30 August 2008 - 06:45 AM
Howdy Tex... thanks for the kind words.Mike-
Very nice, and very steady. The color and clarity is wonderful, great detail, and edited like you must do this alot. I'll give you five stars.
Any tricks for keeping steady? Especially when on Macro?
Vic
I am a rank amateur.. but like to shoot videos of the kids, family, etc.. and tinker on the NLE...so thats where I got my feet wet editing. Still too much to learn.
Regarding clarity: I purchased a Century Optics 39mm +2.5 Achromatic diopter. I put that on the lens before closing the housing up. I'm quite pleased with the shapness for HC7 use. It brings in closer the minimum focus distance to about 8-12" or so, great for closeup, however you are limited to shooting closeup only with the diopter on. Distant objects are out of focus. A dogfish shark swam by that day, and was all blurry. And I used the Sunray 1000s on full power.
Depending on the bottom, for the few opening shots, I was on a muddy bottom, so I gently rest the housing or a portion of it on the sandy bottom when I can.. trying not to disturb too many little critters. Most others were on a wall, in a current, that was a challenge. I just try to hold as steady as possible.. for a count of 12 seconds.. and hope...
#158
Posted 24 May 2009 - 01:02 PM
Sascha
#159
Posted 31 May 2009 - 10:39 PM
- 100 W HLX
- L&M HID
- L&M LEDs (1000 & 2000)
I was used to use light from a german manufacturer (Hartenberger Video Maxi) with flood reflector an 100W HLX. Now I bought a used set of L&M HIDs and I am offered an upgrade to either LED 1000 or 2000. So at the end of the day I would have the same light intensity as with the 100W HLX...
Sascha
#160
Posted 31 May 2009 - 11:03 PM
Good luck.
Moderator
"Journalism is what someone else does not want printed, everything else is public relations."
