Black and White Film
Started by caveman, Jul 06 2003 09:05 AM
9 replies to this topic
#1
Posted 06 July 2003 - 09:05 AM
Black and White Film
I bought some TX 400 film recently expecting nice pictures, but the texture was as rough as the sand on the beach. Not really knowing too much about different types of B/W film, I assume this is intended in the TX 400
Has any one got any advice on what film to use to get a smooth texture, and to get shades of grey rahter than just black or white.
I bought some TX 400 film recently expecting nice pictures, but the texture was as rough as the sand on the beach. Not really knowing too much about different types of B/W film, I assume this is intended in the TX 400
Has any one got any advice on what film to use to get a smooth texture, and to get shades of grey rahter than just black or white.
#2
Posted 06 July 2003 - 12:30 PM
Try and get a good Panchromatic - Fuji, Kodak, Agfa & Ilford.
#3
Posted 06 July 2003 - 12:40 PM
Wow! Conjoined turtles attached at the rear flippers! How odd that they could survive to maturity.
I love it when a plan comes together.
- Col. John "Hannibal" Smith
------
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- Col. John "Hannibal" Smith
------
Nikon, Seatool, Nexus, Inon
My Galleries
#4
Posted 06 July 2003 - 12:43 PM
Yes, They were photochopped at birth!
#5
Posted 06 July 2003 - 10:03 PM
Thanks. Will try to look for it, although I am not sure whether it is written on the box that way " Pan chromatic"
#6
Posted 06 July 2003 - 10:41 PM
Like any film, you trade speed for grain. Smaller grain equals more detail and less contrast.
ASA400 is going to be a lot more grainy than say 125.
Or just go for it and work with the grain to make gritty dramatic images.
Jack
ASA400 is going to be a lot more grainy than say 125.
Or just go for it and work with the grain to make gritty dramatic images.
Jack
Jack Connick
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Optical Ocean Sales.com Sea & Sea, Olympus, Ikelite, Athena, Zen, Fix, Nauticam, Aquatica, Gates, 10Bar, Light & Motion, iTorch/I-DAS & Fantasea Line -
Cameras, Housings, Strobes, Arms, Trays & Accessories
Blog & Gallery: Optical Ocean: Above & Below
Flickr Gallerys: Optical Ocean on Flickr
#7
Posted 07 July 2003 - 02:07 AM
TX film provides a higher contrast and more grain.
Try some T-Max film 100 speed. The output quality will also be controlled by the processing lab, so choose a good B&W lab.
Kodak TMax info
I used to use Ilford Pan, but never underwater. It's probably a little too contrasty, but the lack of grain was wonderful.
Try some T-Max film 100 speed. The output quality will also be controlled by the processing lab, so choose a good B&W lab.
Kodak TMax info
I used to use Ilford Pan, but never underwater. It's probably a little too contrasty, but the lack of grain was wonderful.
"Me, fail English?.........Unpossible!"
#8
Posted 08 July 2003 - 05:49 AM
Ooops, accidently got some T400CN . will try the films you recommended real soon.
Thanks
Thanks
#9
Posted 09 July 2003 - 12:04 AM
Having, last night, got my sheets of Agfa Scala back (that I took a week or so ago in the Red Sea) I would strongly recommend this film. Its a B&W positive film and is loverley!
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#10
Posted 17 August 2003 - 07:25 PM
Were you shooting Wide or Macro on the Agfa Scala? How did the exposures required compare to regular colour tranperancies?
Also, can you notice the granularity of the 200 ASA ? I found with colour tranperencies projected images are not so bad, but when you scan them the "softness" shows ...
Also, can you notice the granularity of the 200 ASA ? I found with colour tranperencies projected images are not so bad, but when you scan them the "softness" shows ...

