Which mirrorless system for UW..e-pl3 vs gf2 vs sony nex-5n?
#41
Posted 01 February 2012 - 04:48 PM
http://www.acquapazz...apsonex5_ct.pdf
If you do not understand how the system works, see my INON X-2 article in the current issue of UWPmag.com The system works the same way on these ports.
Phil Rudin
#42
Posted 05 February 2012 - 07:53 PM
Hello Aliens,
The two housings are different on the underside and the NEX-5/5n grip from Nauticam is a bit small. The Nauticam flexitray for compact housings with one or two grips does work on the NA-NEX-7 housing and has the great Nauticam grips. The Inon holder II grip set also works with the NEX-7 housing.
Phil Rudin
http://reefphoto.com...roducts_id=5385
http://reefphoto.com...roducts_id=4957
http://reefphoto.com...der ii grip set
Thanks I have an Inon baseplate and arms from my compact camera trying to change this to use on the Nauticam NEX7. Thanks for your reply
#43
Posted 06 February 2012 - 08:06 PM
especially 3rd party.
Besides the newly announced Olympus em5, rumor has it
they will also released a 60mm macro plus an underwater housing for it.
Oly XZ1 + Pt50 + D2000
Casually Wet & Deep in Conversation
Vimeo Flickr YouTube
#44
Posted 07 February 2012 - 05:12 AM
Oooh, you get colors!
Phil, Thanks for the link. Certainly do-able. Appears to be AF only.
Bob
No, full manual focus is available with the brilliant mangentic ring system.
Hugh
#45
Posted 09 February 2012 - 08:14 PM
These were all taken with the Sony 16MM WA pancake lens + fisheye, and in the Recsea + dome port. I'm hoping to try out the 16mm alone, and the 18-55mm kit lens in the next few weeks as well.






#46
Posted 10 February 2012 - 02:43 AM
What modes were you shooting in? I ask because on my screen, a few of the pics are under exposed by at least 1.5 stops. Just wondering if you are using manual or any other mode? Thanks.
Moderator
"Journalism is what someone else does not want printed, everything else is public relations."
#47
Posted 10 February 2012 - 02:51 AM
Carolyn
What modes were you shooting in? I ask because on my screen, a few of the pics are under exposed by at least 1.5 stops. Just wondering if you are using manual or any other mode? Thanks.
For us Novices, can you pick one picture and explain in more detail why you think its under exposed.
Hugh
#48
Posted 10 February 2012 - 01:42 PM
On a related note, do you have suggestions on how best to calibrate computer screens for accurate post processing? I just recently switched from PC to mac, and I find the images look radically different between the two, or vs. my work computer etc.
Thanks!
#49
Posted 10 February 2012 - 06:23 PM
carolyn:Hey Drew, I was shooting in manual mode for the camera and strobes, so any exposure issues are due to operator input.
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On a related note, do you have suggestions on how best to calibrate computer screens for accurate post processing? I just recently switched from PC to mac, and I find the images look radically different between the two, or vs. my work computer etc.
Thanks!
I have a calibrator you can borrow next time we see you on the giant stride. On my monitor, the metridiums for example are at least a full stop underexposed and the cabezon (if that is what he is) is about a full stop under as well. I think you need to think about dialing in some strobe compensation. I like the composition a lot and the sea lion shot is very nice.
Let me know when you are going to dive with Jim again (I think we are on the boat next on the 25th) and I will bring my screen calibrator or if you are coming to the LAUPS meeting on Wednesday I will bring it then.
Bill
Canon 7d, 50D, Nauticam,Subal, Inon Ringflash, Athena Ringflash, Inon z240 etc.
www.blueviews.net
#50
Posted 10 February 2012 - 08:06 PM
Thanks for sharing. How was the view throught the viewfinder?
Bob
Carpe carp - Seize the carp
#51
Posted 11 February 2012 - 07:22 AM
carolyn:
I have a calibrator you can borrow next time we see you on the giant stride. On my monitor, the metridiums for example are at least a full stop underexposed and the cabezon (if that is what he is) is about a full stop under as well. I think you need to think about dialing in some strobe compensation. I like the composition a lot and the sea lion shot is very nice.
Let me know when you are going to dive with Jim again (I think we are on the boat next on the 25th) and I will bring my screen calibrator or if you are coming to the LAUPS meeting on Wednesday I will bring it then.
Bill
#52
Posted 11 February 2012 - 07:25 AM
Carolyn,
Thanks for sharing. How was the view throught the viewfinder?
Bob
#53
Posted 12 February 2012 - 01:43 PM
If you are into video, you may also want to consider NEX-5N and NEX-7 - the only two mirrorless cameras with 1080 60p video. With other mirrorless systems, you have to sacrifice 1080 resolution for 60P smoothness, and vice versa. Keep in mind that James Cameron wants to shoot Avartar 2 and 3 in 60 frames per second and this can be the beginning of the end of the outdated 24fps film standard that filmmakers actually hate. It's a certainty that 1080 60p will become the default video standard for consumer cameras and camcorders in the near future. Why wait?
Adjusting White Balance on the NEX-5N is simple and the results are pretty encouraging. There's no RAW for video, so adjusting WB at the scene is the only way to obtain the most accurate colors for movies... AND STILLS ALSO.

I have an in-progress "Personal-Observation" page on the NEX-5N here for those who are interested.
Edited by A.Y., 13 February 2012 - 11:20 AM.
#54
Posted 22 February 2012 - 02:53 AM
#55
Posted 27 February 2012 - 10:10 PM
Hey cheetoh, you use one or two strobes?
