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#330964 An open apology
Posted by Paul Kay
on 07 May 2013 - 12:04 AM
#330645 An open apology
Posted by Paul Kay
on 01 May 2013 - 01:25 AM
Sign the petition on the government's own site: Stop Legalised Theft of Copyrighted Works - e-petitions
#330562 An open apology
Posted by Paul Kay
on 29 April 2013 - 11:53 PM
I imagine that this will be challenged in the EU as it will affect many non-UK photographer's too and will undoubtedly enrich lawyers with the potential violations and infringements that it will potentially lead to. I would say that this is a case of the insane running the asylum but I'm not sure that the word running is at all applicable. Why are we governed by such morons?
#327925 Nikon AF-S Nikkor 24mm f/1.4G ED Wide Angle Lens for underwater
Posted by Paul Kay
on 15 March 2013 - 03:17 AM
You may struggle with it behind a minidome - I tried a small dome at first but now use my 24/1.4 behind either a (Seacam) WidePort or Superdome.
#327753 Nikon AF-S Nikkor 24mm f/1.4G ED Wide Angle Lens for underwater
Posted by Paul Kay
on 13 March 2013 - 03:03 AM
I use the Canon 24/1.4 - it gives a very bright viewfinder image but cannot be used at fast apertures due to being behind a dome port. As a 24mm lens with fast AF and a bright viewfinder it should be great though.
#326071 British marine life photo gallery on Discover Wildlife.com (BBC Wildlife)
Posted by Paul Kay
on 12 February 2013 - 01:30 AM
Hi DamoAm curious about the Yarell's blenny shot- do you get many sightings of these little guys?
Yes, mostly in Scotland, but I have seen them in north Wales too (I think the largest caught by an angler was in north Wales). I don't think I've actually seen one in Ireland though but I haven't dived much north of Mayo.
#325399 British marine life photo gallery on Discover Wildlife.com (BBC Wildlife)
Posted by Paul Kay
on 31 January 2013 - 06:31 AM
http://www.discoverw...allery-paul-kay
#319368 Diopter for Canon 16-35; Schneider or Aquaphot?
Posted by Paul Kay
on 29 October 2012 - 12:38 AM
#318196 Flying Octopuses - comments on the proliferation of these images
Posted by Paul Kay
on 11 October 2012 - 07:42 AM
Its a good question because you are quite right, our subjects genrally do know we are around (at least those able to do so). So is our unavoidable presence the limit of acceptability? Should we offer incentives to subject matter ('baiting' as used by our terrestrial counterparts), use remote cameras (I suspect some creatures can tell that electrical or even metallic systems are presnt too) or simply touch nothing and disturb as little as is possible? Of course our presence pales into absolute insignificance compared to the 'adjustments' carried out by commercial fisheries so perhaps we shouldn't be too pedantic?At what point does an animal reacting to our presence shade into unacceptable disturbance?
I have to say that I have worried about this for a few years, particularly when seeing the efforts that terrestrial wildlife potographers go to, to avoid disturbing their subjects. Our subjects almost always know that we are there...
#315084 Sigma 15mm lens correction in Lightroom 4
Posted by Paul Kay
on 23 August 2012 - 12:33 AM
I'm not familiar with Lightroom (I use Photoshop) but what exactly is this lens correction trying to achieve - a rectilinear image from a fisheye shot? Domes create distortion (because they are just a simple spherical lens placed in front of the sophisticated camera lens) as well as the lens, so an above water correction may well not work with the lens when its used behind a dome underwater because of the additional distortions added by the dome. These distortions will almost certainly vary depending on the subject distance and consequent focus setting, and additional distortions and aberations will occus as you focus closer. [Even with flat ports the amount of correction of chroma needs varied adjustment for different focussed distances so I'm sure the same (but worse) applies to domes too.]
#252223 Testing lenses underwater.
Posted by Paul Kay
on 02 June 2010 - 01:24 AM
The real question we need to know the answer to from the scurilous hack, is whether the images with mushy corners are actually used by the magazine - if they are then lens testing might just be an academic exercise
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