Hi -
We're looking for a supplier or consultant. We used the WHOI folks last year to provide the ROV, but will be working with the ROPOS crew this year.
-Ed
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About Me
A post-production professional with global video expertise, Ed McNichol started his career as a Motion Picture Specialist (84C) editing film and video in the U.S. Army in 1982. A Philadelphia native, his career has brought him from California to Oregon, and through Anchorage, Alaska, to his current home in Seattle. He is currently a freelance editor, post-production supervisor, trainer and workflow consultant.
He most recently was the Post-Production Supervisor at the University of Washington. In this role, he designed innovative workflows and technologies that efficiently produced 300 projects annually, generating up to $600,000. He supervised a talented staff of editors, graphic artists and assistants.
A recognized expert in his field, Ed taught the craft of editing worldwide for Sony for eleven years. He traveled the world teaching video editors and technical directors how to expertly operate Sony’s broadcast line of switchers, mixers and edit controllers. He also demonstrated Sony’s products to many high-profile clients and at numerous trade shows and events, including the National Association of Broadcasters convention.
He has contributed to the development, testing and documentation of next generation digital tools for numerous equipment manufacturers. His articles on video post-production have appeared in many professional trade publications, including Post, TV Technology, Video Systems and HighDef.
An Apple Certified Professional, Ed is proficient in Final Cut Studio, OS X Server and Xsan. He is a member of the Academy of Television Arts and Sciences and the Society of Motion Picture and Television Engineers. He is also the Co-Founder of the Seattle Final Cut Pro User Group. His work has received numerous awards, including Emmys and Tellys, and honors at several film festivals. His clients include AT&T, Boeing, Disney, FedEx, Microsoft, Nintendo, QVC, Seattle Mariners and Turner Networks. More information is available at www.mcnichol.com.
He most recently was the Post-Production Supervisor at the University of Washington. In this role, he designed innovative workflows and technologies that efficiently produced 300 projects annually, generating up to $600,000. He supervised a talented staff of editors, graphic artists and assistants.
A recognized expert in his field, Ed taught the craft of editing worldwide for Sony for eleven years. He traveled the world teaching video editors and technical directors how to expertly operate Sony’s broadcast line of switchers, mixers and edit controllers. He also demonstrated Sony’s products to many high-profile clients and at numerous trade shows and events, including the National Association of Broadcasters convention.
He has contributed to the development, testing and documentation of next generation digital tools for numerous equipment manufacturers. His articles on video post-production have appeared in many professional trade publications, including Post, TV Technology, Video Systems and HighDef.
An Apple Certified Professional, Ed is proficient in Final Cut Studio, OS X Server and Xsan. He is a member of the Academy of Television Arts and Sciences and the Society of Motion Picture and Television Engineers. He is also the Co-Founder of the Seattle Final Cut Pro User Group. His work has received numerous awards, including Emmys and Tellys, and honors at several film festivals. His clients include AT&T, Boeing, Disney, FedEx, Microsoft, Nintendo, QVC, Seattle Mariners and Turner Networks. More information is available at www.mcnichol.com.
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In Topic: Who REALLY knows UW 3D?
17 March 2011 - 07:02 AM
In Topic: Compressor is suddenly fast!
31 August 2010 - 09:51 PM
I recommend one instance for each pair of cores. If you have 12 cores, then 6 instances should maximize your results.
In Topic: Wolfeel and Mukilteo T-Dock area video
28 March 2010 - 08:06 AM
Nice video - I really like the close work. What are you using for camera support? I caught a glimpse of it in one shot but couldn't tell what it was. Does it allow for camera movement or just lockdown shots?
And that wolfie has been there for some time now, but I've never seen him come out. He's generally in the pipe on the upslope center portion of the Geodome.
And that wolfie has been there for some time now, but I've never seen him come out. He's generally in the pipe on the upslope center portion of the Geodome.
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