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TimG

Member Since 19 Jun 2004
Offline Last Active Yesterday, 07:13 AM
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Topics I've Started

Alex Mustard MBE

08 June 2018 - 11:06 PM

Congratulations Alex!

An MBE for Alex in the Queens Birthday Honours.

For the non-Brits, this is an award from the Queen for distinguished work in the awardees field. It stands for Member of the Most Excellent Order of the British Empire.

Enjoy the champagne, Alex!

Very best wishes

Subal ND800 housing for sale with Nikon 800

07 May 2018 - 10:36 PM

Hey fellow Wetpixelers!

 

I'm re-advertising my Subal ND800 housing which I'd like to sell. I also have a Nikon D800 to sell with it. Actually two camera bodies are available if you are keen!

 

The housing is in perfect condition, well-used, much-loved and never dinged, chipped, flooded or abused as you can see from the attached images. Similarly the camera which has just under 9000 actuations and has always been used in the housing. I have more images available which I can send email if you contact me. 

 

The equipment is located in Netherlands but I can get it to the UK easily and expect to be in the US this summer.

 

Price is £1950/USD2500/€2200 for the housing; and £700/USD900/€775 for the Nikon D800. I'd be happy to do a deal for housing and camera(s); and would also be happy to include with the housing a Vivid Sentinel Series 4 vacuum valve (not shown in images) and the manual pump etc. All boxes, manuals and original bits and pieces included for both housing and camera(s).

 

The second D800 body has a slightly higher actuation count and would cost slightly less.

 

Shipping costs dependent on location. Payment by bank transfer or PayPal (buyer pays charges).

 

This housing has been brilliant and I have got some cracking images out of it especially using the D800's built-in flash to trigger strobes by fibre optic cables. With my Inon Z240s this gave me very good TTL.

 

If you are serious about an FX housing, I can heartily recommend this Subal - the Rolls Royce of housings at a bargain price! 

 

 

 

 

 

 

 

 


Lightroom problem uploading to Adobe Stock

12 April 2018 - 10:40 AM

Can any one offer me any wise advice on this:

 

I've always had slight difficulties uploading images to Adobe Stock though the Publish Services often getting the message that I'm not signed in to the Creative Cloud - when I defintely am. I have usually been able to solve this by logging off from the Creative Cloud and then logging back on. I can then Publish.

 

I updated my Lightroom Classic CC a couple of days ago to 7.3. and apart from once yesterday, I can't now seem to publish to Adobe Stock at all. I keep getting the message that I must be signed into the Creative Cloud: which I definitely am. I've tried logging off and logging on to the Creative Cloud; closing down LR and restarting it; and re-booting my iMac. Nothing, so far, has worked.

 

Anyone got any bright ideas?

 

Thanks!

 

 

 

 

 

 


Moving from a Nikon D800 (FX) to a D500 (DX)

15 February 2018 - 07:18 AM

A couple of weeks ago a Wetpixel reader emailed me directly and asked for my experience of moving from a Nikon D800 to the D500 specifically in a Subal housing. 

 

The reader thought the answer would be of wider interest to WP readers - so here it is. As I say, this is based on my own personal experience. I'm no pixel peeper or techno ninja  - I just really like taking pictures underwater - so some might argue with techie detail or my choice of gear. Fair enough!

 

 

"I’ve always been a keen macro shooter. Since about 2008, I've moved from a Nikon D300/Subal to the Nikon D800/Subal - and now the D500/Subal.

 
I’ve also moved from electrically initiated strobes fired from the D300/Subal to fibre optic in the D800/Subal. I found the switch to fibre a really good experience. Fibre is so much more flexible and rugged and is easier for using TTL - which I like especially for macro.
 
I make the point on strobes connections as I think it’s an important part of the D800/D500 consideration.
 
FORMAT
 
Both the D500 and the D800 are superb! I found with the D300/D500 and a DX sensor that using the Nikkors 60mm and 105mm worked well for macro. But with the D800 you only need the 105mm. With the FX sensor on the D800 the 60mm is too short. So with the D800 I only traveled with one macro lens and one port, the Nikkor 105mm and the Subal FP-105VR. I have got so used to the 105mm that, so far, with the D500 I’m only using the 105mm and have not gone back to using a 60mm.
 
The D800 gives you LOADs of pixels which makes cropping easy and flexible - ideal for macro; and you can also switch to a DX image (with the Subal you can do this easily underwater) on the D800 which, then, effectively gives you a roughly 160mm macro lens - with no real loss of quality. So highly flexible.
 
HANDLING
 
Handling of the D500 or D800 is, in my view, broadly the same. The D800 Subal housing is slightly bigger (it’s slightly taller - for good reason which I’ll explain) but not hugely so. The controls between the two Subal housings are pretty much the same - the usual Subal high-build quality and superb “feel”. 
 
STROBES AND TTL
 
Here’s the big difference: the D800 can fire strobes using fibre or electrical cables (although mine is only set up for fibre) initiated, in the case of fibre, by the camera’s pop-up built-in flash (hence the slightly larger housing). Electric connections use, of course, a hot shoe link to electrical bulkheads.
 
However the D500 cannot initiate firing strobes on its own via fibre optics. There is no built-in camera flash on the D500. You therefore have to buy a strobe initiator - whether the Subal V3 system or a Turtle TTL or something like that. The electronics fits inside the housing and connects to the camera hot shoe and then to LEDs fitted inside the housing attached to the fibre optic bulkheads. 
 
When the camera fires, the strobe initiator flashes an LED which then activates the strobes. These initiators, in most cases, will also give you TTL - which comes automatically with the D800’s in-built flash. I bought the V3 system from Subal which is pricey but seems good - although I have had some initial problems with the LEDs failing - which Subal have replaced. 
 
WIDE-ANGLE
 
The other thing I really liked about the D800 was WA shooting. I find the images amazing: sharp, beautiful colours - especially the blues. I have sold a lot of images from this especially from trips to the Red Sea. I’ve not yet had chance to test out the D500 in the same way but I really hope I don’t lose that D800 WA capability! 
 
SUMMING UP
 
So, on balance, nothing really to chose from between the D500 and D800 by my experience so far in terms of image quality or handling. 
 
The only thing I would flag up is the additional cost of the D500 strobe initiator - which, as I have hopefully explained, you don’t have with the D500 and which you do get with the D800. 
 
I’ve had my D500 system about 3 months and have done one trip with it and shot about 3000 images. I’m really pleased with it. Was it really worth switching from the D800 with all the costs involved? Honestly, I’m not sure. The D800/Subal is superb. If I had realised fully the implications of the D500 not having a built-in flash to initiate the strobes via fibre optics (which I love!) - and the costs involved of doing this - I’m not entirely sure I would have made the switch. "
 

Vivid Leak Sentinel vacuum valves

12 February 2018 - 09:25 AM

A recent post about problems with the Vivid Leak Sentinel (LS) "V5" had me scooting to the Vivid website as I hadn’t heard of the V5 - I’m using the V4 having updated from the V3 a couple of years ago and must admit to being a fan.

 
The website revealed very little so I emailed the very helpful Miso at Vivid who explained.
 
I thought Wetpixel readers might be interested in what I learned. 
 
The V5 is a re-designed body incorporating the V4 electronics in a more compact package with a couple of new features. 
 
Vivid must have read my mind about the two issues on the V4 that I’d like to have seen improved: one is the brightness and ease of view of the flashing LED red (underwater heart attack time) or green (relax, all’s well).  On the V3 and V4 versions of the LS the LED was quite small and could be a little hard to see especially in brighter light.  The LED on the V5 is now much better positioned on top of the valve and significantly brighter.
 
Secondly, changing the battery on the V3 and V4, while not difficult and only necessary roughly after 100 hours, could take a bit of time. Not so on the V5 where a more accessible battery should make changes quicker and easier.
 
Miso also explained that he now has a V5 “special” edition which allows the V5 electronics to be installed inside the housing. These are connected by a thin cable to a shorter V5-style valve body incorporating the LED and pump connector. The valve assembly is screwed into a spare housing bulkhead in the usual way. This arrangement makes battery changing even easier and reduces the size of the exterior valve yet further. The electronics take up very little room in the housing. 
 
I have always felt that, after a magnifying viewfinder, the cost of the Leak Sentinel was arguably the best money I have spent on my housing. The sense of security and peace of mind is well worth the cost! I’ve been delighted with the way the V3/V4 works and wouldn’t now be without one fitted to my housing. 
 
With the improvements now built into the V5 I bit yet another bullet and ordered one.......