If you use Sony Vegas Pro, I established a workflow that overcomes Vegas' import bug for various GH formats, and allows C4K etc. footage to be edited via proxies, even on an ancient computer like mine.
In September 2007 I took my old Sony HVR-Z1P to the Lembeh Strait for 9 days and came back with a ridiculous amount of footage of a ludicrous number of critters. Six and a half years later, I've finally made a documentary of it. Speed of post-production is not one of my strengths
Last year I posted a prologue video. Now, finally, here is the first episode, which introduces Lembeh's location at the heart of the Coral Triangle, and takes a look at corals and tunicates. If it's OK, I'll post future weekly episodes on this thread.
The camera was in a Light & Motion Bluefin HD housing with a flat port, and I used a Century +3.5 achromatic diopter for most of the macro shots. I used Light & Motion Elite (halogen) lights on most shots.
As always, honest feedback is welcome - positive, neutral or negative.
I'm thinking of either the SmallHD DP4 or the Atomos Ninja 2 in Nauticam housings for use, initially, with a Panasonic GH3 in Nauticam housing.
I realise that the DP4 doesn't record anything and is just a monitor, but I don't see the recording of the Ninja 2 as particularly useful to me since it can't record 1080-60p, and the GH3 can't output more than 8-bit 4:2:0.
But the price of the 2 solutions isn't enormously different (approx $2100 with sunshade vs $2500), so I could go for the Ninja 2 anyway and be more future-proofed for other cameras. Can anyone tell me how the 2 compare for monitoring features (judging focus & exposure) and ease of use. Also, how do they compare in size and weight. I can't find the figures online, but of course the NA-Ninja2 looks somewhat bigger.
(edit: Just read Kien's reply to the 1st question on this blog post, but am interested in further views)