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dreifish

Member Since 25 Oct 2013
Offline Last Active Jan 16 2018 03:30 AM
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Posts I've Made

In Topic: FS: Nauticam A7II Housing for A7SII/A7RII, Nikonos 15mm, etc.

10 January 2018 - 07:11 AM

Hi Echocat -- housing has been sold, but have a number of items still available:

 

Nauticam n100-n120 Adapter   $300

Nauticam Macro Port 87   $300

180mm Glass Dome   $900

Nauticam 30mm Extention Port   $250

Nauticam 20mm Extention Port   $250      

Nauticam Nikonos Adapter   $300

Nikonos 15mm   $300

90mm Macro   $800

Sony 16-35MMF4   $1000

Nauticam Gear For Sony 16-35mm   $200

Nauticam 8.5" Acrylic Dome   $500

Nauticam 140mm Glass Dome   $100


In Topic: FS: Secam Seaflash 150D, 2x

10 January 2018 - 05:55 AM

Is that 2100 for both, or each?


In Topic: Wanted: Sony PXW-Z100 in Gates Housing

10 January 2018 - 05:48 AM

Also, I can’t emphasize enough how important low light ability is in a camera. From what I have seen about the new GH5 it doesn’t have the same abilities as the Sony A7SII. Which ever camera you end up going with take a hard look at the low light. No matter what quality of 4K you get won’t make a difference if it doesn’t handle low light. Another user had some issues with color on Sony for Video. I would take a look at the Slog3 because it gives you a lot of control in color in post. Also what is the end result for your footage. Do you really need 4:2:2?


Sent from my iPhone using Tapatalk

Why is low light ability so important for underwater video? I can count on one hand the number of times I've had to push the ISO to 3200 underwater. And pretty much every camera from the past few years can handle ISO 1600 just fine. But you'll be shooting in the ISO 100-800 range most of the time anyway.  I think you'll be hard-pressed to find many people that agree with you that low light capabilities are more important than good white balance/color reproduction. There's a whole thread discussing the limitations of Sony mirrorless cameras underwater in the video forum.

 

Advising people to shoot in Slog3 underwater is also quite questionable, especially on a camera that records in an 8-bit h.264 codec. Log encoding doesn't give you more control of color in post. It preserves more highlight/shadow detail. In actuality, you have less color information to work with and banding become an issue much more quickly when working with 8-bit encoded log.


In Topic: WTB Sony A7ii Housing , Strobes and Fisheye

10 January 2018 - 05:34 AM

What are you looking for, Baptiste?

 

Nauticam n100-n120 Adapter 300
Nauticam Macro Port 87 300
180mm Glass Dome 900
Nauticam 30mm Extention Port 250
Nauticam 20mm Extention Port 250
 
Nauticam Nikonos Adapter 300
Nikonos 15mm 300
90mm Macro 800
Sony 16-35MMF4 1000
Nauticam Gear For Sony 16-35mm 200
Nauticam 8.5" Acrylic Dome 500
Nauticam 140mm Glass Dome 100

In Topic: IS IT WORTH IT? GH5s - No Stabilization

09 January 2018 - 06:48 AM

Noise has basically never been an issue for me shooting the GH5 underwater. You can usually open up to F5.6, so ISO never really goes over 1600. So.. for underwater use, I see no advantage to the GH5s over the GH5. The lack of in-body image stabilization is a big negative, on the other hand.