Another trip, another head-ache, or avoiding a larger head-ache
The Wetpixel brain trust sure helped when I was in Yap, with moisture issues
camera serviced but it speaks japanese to me (no problem) arigato.
New dilemma:
HC-1 (SEA & SEA) video housing on-off switch clicked this AM whilst I was prepping for another great critter dive.
The camera still goes on and off as normal, but the control is floppy
AM I AT RISK OF FLOODING???
Rinse tank to 1ft and operate switch several times, no leak
Guess the pool is the next step, then ocean test w/o camera
but h20 and electronics are not bedfellows. Esp salt h20.
I do not want salt water to enter at all, obviously.
I do not know the design of the switch as to thru hull or not
I am in Lembeh with 8 more days of diving
airline weight restrictions pre-cluded a back-up
first time no back-up (50 lbs/bag vs. 70 lbs)
So here I am, scared absolutely fartless that a leak will kill the system.
So, anybody know about this control??
It works, but ...................advise!!!!!!!!!
Thanks
Bill Macdonald
BTW: 3 free swimming frog-fish in blue water was captured
as was Mating blue-ring octopus (never even saw one before)
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About Me
SCUBA diver since 1958, original home in New Jersey, dove under ice in 1960 with 3/16th " suit
that I had to continually repair (brrrr). We dove year around.
Tried u/w film (8 mm) in 1961 in a bubble soft housing w/ glass and ring clamp.
Dove the wreck of the Rhone in the Virgin Is soon after graduating from high school.
Progressed to 16-mm in the late 1960's, moved to California, joined LA County Instructors (17 UICC).
First film (16 mm) "Symbiosis in Blue" 1969, then "Innerspace Vibrations" in 1971
Worked for Healthways in 1969, became a US Divers salesman in 1972 (sold many aluminum tanks)
Made 16mm films "Ocean Gallery" and "Inner Visions" and won awards 1972 - 1974.
Joined the Cousteau Society diving and filming team in 1975, worked on Calypso and dove with Captain Cousteau, Falco, and Bernard Delamotte. Gave 100's of Cousteau Society lectures thru 1980.
Continued with independent films with the documentation of OTEC-1 (Ocean Thermal Energy Conversion)
in 1981, This show, OTEC-1 now on my You Tube channel is the #1 viewed program of the 62 videos I have posted.
(history to be continued later)
see www.youtube.com/007bmac for some of the above films.
that I had to continually repair (brrrr). We dove year around.
Tried u/w film (8 mm) in 1961 in a bubble soft housing w/ glass and ring clamp.
Dove the wreck of the Rhone in the Virgin Is soon after graduating from high school.
Progressed to 16-mm in the late 1960's, moved to California, joined LA County Instructors (17 UICC).
First film (16 mm) "Symbiosis in Blue" 1969, then "Innerspace Vibrations" in 1971
Worked for Healthways in 1969, became a US Divers salesman in 1972 (sold many aluminum tanks)
Made 16mm films "Ocean Gallery" and "Inner Visions" and won awards 1972 - 1974.
Joined the Cousteau Society diving and filming team in 1975, worked on Calypso and dove with Captain Cousteau, Falco, and Bernard Delamotte. Gave 100's of Cousteau Society lectures thru 1980.
Continued with independent films with the documentation of OTEC-1 (Ocean Thermal Energy Conversion)
in 1981, This show, OTEC-1 now on my You Tube channel is the #1 viewed program of the 62 videos I have posted.
(history to be continued later)
see www.youtube.com/007bmac for some of the above films.
Community Stats
- Group Member
- Active Posts 37
- Profile Views 781
- Member Title Triggerfish
- Age Age Unknown
- Birthday Birthday Unknown
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Gender
Male
-
Location
Venice, CA
Previous Fields
-
Show Country Flag:
--
-
Camera Model & Brand
HDC-1 (2 x) 1080i, PD-150
-
Camera Housing
Sea & Sea (2x), L&M Bluefin
-
Strobe/Lighting Model & Brand
HDI lights : Keldan Luna 8, Light & Motion HID, Darkbuster, Green Force, Sea & Sea BLX 55 HID
-
Accessories
Ultra Light arms (2) with StiX floats, .35 w/a lens Sea & Sea with StiX lens floats for neutrality.
Topics I've Started
Sea & Sea HC-1 housing on-off switch
11 November 2008 - 05:58 PM
FOREX in Indonesia
10 August 2008 - 08:36 PM
Make sure you have clean new, crisp, unmarked $$ too.
If you are going to Raja Ampat bring Euros
or convert ahead of time to Rupia (they do take Rupia)
they take Euros without the inspection dilemma of US $$
(I even bring Euros for Manado)
No $20, or $10, or $ 50, just crispy $100's
$100's need to be from 2006 or later
Big problem
Solutions to Video lighting and housing buoyancy
06 August 2008 - 04:30 PM
Over the years I have tried several lighting systems
for videography, most were bulky and added weight
and negative buoyancy. However this is in the past.
My main system is a Sea and Sea Housing for the HC-1 Sony HD
with the $$$$ wide angle conversion lens X0.35 VX,
which we call the "family jewel",. However, Sea & Sea had no way to correct the buoyancy
and the system nose dived. If I added the Sea & Sea BLX lighting package
it became a boat anchor, very negative and hard on the shoulders, and swim profile.
I switched to the Light & Motion lighting modules (2) by using plastic-ties.
They are good lights but made to fit my L&M Bluefin housing (back-up system)
which I went to when my shoulders ached. I used sections of lobster trap (CA)
floats to ease the buoyancy problem, but it looked very weird and compressed somewhat at depth.
Solution: StiX floats for my Ultra-Light arms (4 each 2" floats on each side)
and a StiX lens float (designed for a still camera macro port) but converts just fine.
For lighting I am using the Keldan (Swiss made) Luna-8 (2 each)
and although pricey(over $ 1500 US cy each), I can get 3 dives before recharging overnight.
The result: neutral buoyancy and "sweet-even" HID lighting (using the diffusion reflector)
for really beautiful HDV results, and that Swiss workmanship that is so nice to handle.
This allows the $4000 lens to be used w/o being an ordeal. Without the diffusion, the beam is narrow
but can light subjects in clear water some 10-12 meters away, no problem.
This year I celebrate 50 years of diving and u/w filming, and tho I wish I had solved these issues
sooner, I am very happy with the results. One entry "Raja Ampat" will be screened at The
San Diego Underwater Film Festival later this month at the Qualcom Theatre big screen in HD.
BTW: the StiX floats were about $150.00 with extra floats if needed, a real bargain from Backscatter in Monterey, CA
Bill Macdonald
www.youtube.com/007bmac
www.macdonaldproductions.com
for videography, most were bulky and added weight
and negative buoyancy. However this is in the past.
My main system is a Sea and Sea Housing for the HC-1 Sony HD
with the $$$$ wide angle conversion lens X0.35 VX,
which we call the "family jewel",. However, Sea & Sea had no way to correct the buoyancy
and the system nose dived. If I added the Sea & Sea BLX lighting package
it became a boat anchor, very negative and hard on the shoulders, and swim profile.
I switched to the Light & Motion lighting modules (2) by using plastic-ties.
They are good lights but made to fit my L&M Bluefin housing (back-up system)
which I went to when my shoulders ached. I used sections of lobster trap (CA)
floats to ease the buoyancy problem, but it looked very weird and compressed somewhat at depth.
Solution: StiX floats for my Ultra-Light arms (4 each 2" floats on each side)
and a StiX lens float (designed for a still camera macro port) but converts just fine.
For lighting I am using the Keldan (Swiss made) Luna-8 (2 each)
and although pricey(over $ 1500 US cy each), I can get 3 dives before recharging overnight.
The result: neutral buoyancy and "sweet-even" HID lighting (using the diffusion reflector)
for really beautiful HDV results, and that Swiss workmanship that is so nice to handle.
This allows the $4000 lens to be used w/o being an ordeal. Without the diffusion, the beam is narrow
but can light subjects in clear water some 10-12 meters away, no problem.
This year I celebrate 50 years of diving and u/w filming, and tho I wish I had solved these issues
sooner, I am very happy with the results. One entry "Raja Ampat" will be screened at The
San Diego Underwater Film Festival later this month at the Qualcom Theatre big screen in HD.
BTW: the StiX floats were about $150.00 with extra floats if needed, a real bargain from Backscatter in Monterey, CA
Bill Macdonald
www.youtube.com/007bmac
www.macdonaldproductions.com
Moisture alarm in HDR-HC1 cameras
06 August 2008 - 03:52 PM
Oh Darn;
I am n Micronesia (Yap) with TWO HC1 Sony cameras
humidity is 90% there-a-bouts and I have continual problems
with the moisture control alarm, thus shutting down the cameras.
Today I am out of the water due to non-operation on both
(one was stored overnight in a zip lock with dessicant).
Admittedly, I have been shooting them much this year, but never have had such
a problem. I tried bagging them(like I said) in a zip-lock with desicant, overnight, and keep the AC on
in the room, but not more than 3 degrees cooler than outside, still problems.
It usually takes about 4+ hours to clear with the cassette door open. Once it is ok, it goes straight away into the housing
air tight with dessicant.
There is a hair drier here, but I am reluctant to take that step towards abnormality and
maybe further complicate things.
Any thoughts? Solutions?
Much appreciated.
Bill Macdonald
I am n Micronesia (Yap) with TWO HC1 Sony cameras
humidity is 90% there-a-bouts and I have continual problems
with the moisture control alarm, thus shutting down the cameras.
Today I am out of the water due to non-operation on both
(one was stored overnight in a zip lock with dessicant).
Admittedly, I have been shooting them much this year, but never have had such
a problem. I tried bagging them(like I said) in a zip-lock with desicant, overnight, and keep the AC on
in the room, but not more than 3 degrees cooler than outside, still problems.
It usually takes about 4+ hours to clear with the cassette door open. Once it is ok, it goes straight away into the housing
air tight with dessicant.
There is a hair drier here, but I am reluctant to take that step towards abnormality and
maybe further complicate things.
Any thoughts? Solutions?
Much appreciated.
Bill Macdonald
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