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Michael Aw’s Essential Guide to Digital UW Photo

Review by Gillian Fagan

Posted: 05 July 2004 04:00 PM
Last Update: 25 February 2005 07:55 PM
6 comment(s)
Categories: ReviewsPrint/Web Media [home]
Author: Gillian Fagan
Review Item: Michael Aw's Essential Guide to Digital UW Photo

"The Essential Guide to Digital Underwater Photography"
By Michael Aw and Mathew Muir
132 PAGES, Full colour
FOR MORE DETAILS: www.OceanEarthPictures.com

Book Synopsis:

This book is an absolute Essential Guide for those who want to shoot beautiful digital pictures underwater. The modules are well thought-out giving detailed descriptions and explanations about using digital cameras underwater, exposure, use of light and shooting techniques for macro and wide-angle imagery. Includes tutorials on photo editing, colour correction and file management. A generous number of colourful graphics and photographs are used to illustrate the techniques and key points of underwater photography. This guide shares with you the fine art of composition and other secrets for taking great underwater photographs.

REVIEW by Gillian Fagan

For aspiring underwater photographers the road to success is littered with obstacles. Surfacing from a promising dive, we are faced with photographs of a blurred buddy, a fish giving us the arse or a blast of backscatter sneering back at us.

Despite the desire to capture the magical moments we are privy to each time we submerge ourselves in the ocean, for most, underwater photography is nothing but a cruel joke.

Abracadabra! The joke is over.

Wizard’s Wands and Mermaids Whispers

Two world renowned underwater image makers have waved their wands and come to the rescue with their new book, "The Essential Guide to Digital Underwater Photography."

If you have ever wished you could know just how the experts create their underwater masterpieces, well here is your chance to know.

Like wizards revealing their magic, Michael Aw and Mathew Muir lead us step by step through the secrets it has taken them years to discover.

The tips and techniques that have made their photographs admired around the world are found throughout the book - whispered to us by mermaids. These handy hints provide invaluable information that will encourage owners of digital underwater cameras at every level of skill and proficiency.

A Compendium of Information

Just when you thought you had mastered the jargon of diving along comes resolutions, f-stops, macro, depth of field, ISO, tiffs and j-pegs. This complete ‘how-to’ book is packed with readily absorbed explanations that will demystify the technical jargon and have you talking the talk in no time.

As an educational tool for novices, this definitive guide will also prove to be an essential reference for those with greater proficiency in underwater image making.

Ever wondered how to manipulate light so that a blue ocean suddenly appears black as night or just exactly what to do in that moment of terror in which water gurgles into your precious housing? Colour coded for easy reference, the answers to these questions and more are only a page away.

If the secrets, tips and explanations are not enough to trigger your artistic impulses, the images featured in this book certainly will.

"Reading through those chapters, I’ve already learned sufficient to make me want to grab the camera and immediately hop into the water, comments last years winner of the macro wide-angle Celebrate the Sea photography competition, David Strike.

"This is a well-structured, comprehensive work, lavishly supported with explanatory diagrams and magnificent images. It will undoubtedly come to be regarded as a classic of its kind."

The Digital Evolution and Awism

Drawing on the techniques of Rembrandt, the technology of the computer age and the tried and tested traditions of the dark room, this guide successfully portrays how divers have evolved into the digital age, its advantages and disadvantages clearly outlined.

Of his own masterpieces Michael Aw says, "I have learnt to appreciate photography as a form of fine art, our canvas is the sensor, the camera and lenses are the paint brushes and the medium in which we work is light."

At the beginning of this year I was lucky enough to be on a live aboard off the Baja Peninsula with Michael Aw. Surrounded by the ever-present Silky sharks on our safety stop I turned around to find Michael finning furiously out into the blue, his huge camera and strobe trailing next to him like a naughty child.

"Where is he going now?" I mumbled to myself.

Following him I lost sight of the boat, but caught sight of a huge angel emerging from the blue. A souring manta was doing his gymnastic routine for us.

Looking down to see what Michael was doing, it all became clear.

There it was, the origin of Michael’s remarkable photographs. At times he would furtively ping pong around the ocean, as if catapulted by the incessant flashes from his camera. Then he would suddenly stop moving, motionlessly creating a conversation with the manta’s eyes.

Surfacing from the dive I realized that Michael had not merely been taking pictures - he had been creating them. This is what every photographer should aspire to and this guide is the perfect place to start.

On your marks, ready, set... Go!

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Comment(s):
  1. Nice advertorial, now how about a review of the book.

    Posted by Rob Whitehead on 07/07 at 06:26 PM
  2. That would be great Mr. Whitey.  Please send the review to my email address.

    Cheers
    James

    Posted by James Wiseman on 07/07 at 11:59 PM
  3. Michael will be sending me a copy of the book when it comes out, so we’ll have a version to review soon.

    Posted by Eric Cheng on 07/08 at 06:25 AM
  4. Thankyou Prof. Wiseman for your offer.  Review will be forwarded to you as soon as you provide me with a copy to review (send to “Mr Whitey, c/o Alice Springs, Near the Big Red Rock, Central Australia).  Really, it will be no problem.  I mean, I should be working but seeing as I'm bludging off and surfing wetpixel anyway I guess I could fit a quick book review into my schedule.  I'll focus particularly o­n the eTTL and 'problems with the Nikon camera system' chapters.  You can rest assured that my review will be accurate and impartial.

    A small cash donation from Mr Aw may aid me in formulating my review.

    Yours in anticipation,

    Mr Whitey

    :)

    Posted by Rob Whitehead on 07/08 at 12:01 PM
  5. And o­n a slightly more serious note…

    This review caught my attention because it's exactly the sort of book I would buy if it's any good.  As you may have guessed, I thought that the review was a little o­n the positive side, without discussion of the pros and cons of Michael Aw's book.  I'm also still not sure whether or not I'd find the book helpful.

    “Ever wondered how to manipulate light so that a blue ocean suddenly appears black as night or just exactly what to do in that moment of terror in which water gurgles into your precious housing?”

    Well no, not particularly.  I'm going to guess and say that the answer is 1/use strobe with small aperture and background far enough away and 2/return to surface, panic, cry, sell camera o­n Ebay.

    From the description in the review, it sounds like the book doesn't assume much background knowledge of digital photography.

    I'm not familiar with Micheal Aw as a photographer, which no doubt makes me extremely ignorant.  So I've checked out his web page to see what's up with his imaging.

    http://www.michaelaw.com/front.html

    I'd say from that that 1/Micheal has a tendency to cut tails off marine life (the iguana and the shark), which IMHO from a compositional point of view seriously damages those pictures, iguana in particular.

    2/He really does like the black background technique.  I don't. 

    3/There are some really great photos o­n his site, especially the Raja Ampat wideangle shot with the sunrays - but was it digital or film?  I'm not clear at this point how much of his work Mr Aw produces with a digital camera - is he a full time digital shooter underwater or a new convert from film.

    So in summary, I'm definitely interested in this book, but I think I'll wait until Eric (or James) writes up their review before purchasing.

    Cheers

    Rob

    Posted by Rob Whitehead on 07/08 at 06:47 PM
  6. Did anybody ever get to actually critique this book?

    cheers
    Leander

    Posted by Leander Wiseman on 12/08 at 07:43 AM

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