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  1. 5 points
    I am happy to share my latest video-interview with Max Ammer, the pioneer of diving in Raja Ampat, West Papua in Indonesia. About 30 years ago, Max came to Raja Ampat in a search of World War II relics. This is a story about how Max built the very first dive resort in Raja Ampat - Kri Eco Resort, and later - Sorido Bay Resort, about conservation efforts of Max and his partners, training local people and building the very first electrical boat in Raja Ampat. Video is shot with Sony NX80, and a few clips with Sony 7Rii. ENJOY. https://youtu.be/vcmAxOhLgEM
  2. 5 points
    Hi, I would like to share a video from my last trip to the river Traun. The river Traun is the most varied dive spot i know here in Austria. Mainly you dive in a dammed area of the Traun with moderate currents. There you can find a sunken pump room, 500 year old roads from the period of salt shipping, beautiful light under driftwood and under the trees at the shoreline and much more. If the conditions are good, its possible to dive the Canyon at the Traun waterfall. The dive gear has to be roped down, the scuba divers has to jump or climb down the steep rocks to enter the water. The Canyon offers a magic scenery with its washed out rock face, cascades and the crystal clear water of a spring pot Alex globaldivemedia.com
  3. 5 points
    Hey all! I've just finished a group of video tutorials designed for all levels of u/w photographers to speed up their editing workflow: -> tutorials.brentdurand.com/editing The videos (and companion articles) cover Presets, Collections and Target Collections, Watermarks and more. Are there other topics you'd like covered? Shoot me a DM if so. Thanks, and enjoy!
  4. 5 points
    Hello everybody, I just returned from a 3 week trip to Indonesia. My first week was spent in Lembeh with NAD Lembeh and had the opportunity to go on my first black water dives. Needless to say I quickly became addicted and didnt miss any dives. A quick review of my experience with NAD Lembeh. I will echo most of the reviews I have seen on the website regarding my experience, it was phenomenal. Although this was my first trip to Lembeh and thus have nothing else to compare it to I will say that I will not be staying anywhere else during any future visits. I had a nice room by the beach, bed was very comfortable and AC worked to perfection. The food was fantastic, and they were very accommodating since I am vegetarian. The dive boats are great with ample room for all on board. The staff carry all your equipment to and from the dive boat and set it up, including the camera. The camera room was very ample with lots of charging space. There are computers to edit/post but I did not take advantage of this service. Since I was in a room by myself I had my own dive guide/buddy/photographic assistant which was Andri. He was great, very patient and never in any rush to move on. It didnt matter whether we spent 30 seconds or 30 minutes in a subject there was never any rush. Here are a few shots taken during black water. Critique highly encouraged. Many more to come including during regular dives. Many more posted on Flickr. Larval wonderpus Blackwater-2 by Karyll Gonzalez, on Flickr Blackwater-2 by Karyll Gonzalez, on Flickr Larval mimic octopus, maybe? blackwater-7 by Karyll Gonzalez, on Flickr blackwater (1 of 1) by Karyll Gonzalez, on Flickr Larval long arm octopus blackwater (1 of 1)-5 by Karyll Gonzalez, on Flickr Larval Long Arm Octopus by Karyll Gonzalez, on Flickr blackwater (1 of 1)-6 by Karyll Gonzalez, on Flickr
  5. 5 points
    I think the answer will depend on what you mean by underwater photography. Carrying a gopro on a stick is a very different thing than diving with a full kit with tray and dual lights and strobes, with macro and WA swap-able lenses. The amount of dive time will also vary by person. Before you branch out from gopros I would say you need to be able to do a few things consistently and without much thought. Buoyancy is key. You need to be able to maintain your buoyancy even when other things are happening to divert your attention. Particularly early on with photography, trying to figure out the settings and just working the camera takes a lot of focus and with newer divers once they pay attention to that, buoyancy and situational awarness start to fall apart. Once you can keep buoyancy when task loaded that's one sign you are ready Situational awareness. Photography can consume most of the attention your brain can give it until certain things become ingrained through experience and muscle memory. That goes for the physical muscle memory of working your gear and your camera as well as the familiarity to be able to do both without much thought. You should be able to function all your normal dive gear quickly and easily without much thought. S drills, lost mask, reg recovery, etc should be very proficient, and you can do them at any time. Adding a camera system in the middle of these can cause real problems if this isn't able to be handled quickly and easily without much thought. It really helps to get very very familiar with any camera system on the surface, and then with a few shallow dives to work out where your problem areas will be. Each person is going to reach this experience level at different times so its hard to say X number of dives will get you there. If you are diving with a group of divers and one or more is mentoring you, ask them to help you work on some task loading exercises, and work through any buoyancy issues when doing them. You can work on camera familiarity on land. Also if someone in your group shoots, see if you can buddy with them and them let you shoot on a dive to see where you are. If things get to be too much work out a plan to just hand stuff off.
  6. 4 points
    I recently took this shot on a trip to the Souther Great Barrier Reef. It is my best example of balancing flash & ambient so far. I put my lower strobe on a very low power setting tucked in close to the left handle and had the upper strobe on a high power at full rabbit ear position. Hope you enjoy looking as much as I did making it Thanks,
  7. 4 points
    Just did my first dive with the R5 and thought I'd share some sample footage (youtube links below). It's nothing special, just a few different scenes to give you a feel for the image quality. I have the camera in a Nauticam housing with ZEN 230mm dome, using the RF 15-35mm. Settings on all these videos: 4K 30p, HQ mode (oversampled from 8K), ALL-I compression, Canon Log on. Files were edited in Premiere and exported in maximum render quality. Footage was shot on St. Eustatius in the Dutch Caribbean. All videos are shot at around 70 ft depth, conditions were not great: it was an overcast day, still early in the morning, so not a lot of light or colors available at that depth. No artificial light was used, just ambient light. I used a white slate to manually white balance the footage, which is a bit of a hassle on the R5. Taking into account these low-light conditions, I think the camera produced some fantastic video. I am sure though the footage will be much more vibrant in shallow water with more sunlight. Interested to hear what you think. Happy to upload more footage with different settings next week if anyone is interested.
  8. 4 points
    I also mostly stayed close to home last year. Thankfully, the Buffalo National River is only 10 minutes away. These images of a River Cooter and Longear Sunfish were two of my favorites of the year:
  9. 4 points
    Very happy to see the return of this topic! My fave reflects my long-term salmon project that was influenced more by the weather that was excessively wet in 2020 and poor salmon runs than by covid. I took this shot during one of the few and short sunny spells in early July before any salmon had returned to this stream. I used a lens that I had used for this same purpose (juvenile salmon) but with film back in the 90s, the Nikonos RS 28mm. This was one of the lenses that Harald H brought with him to DEMA in '19 following the SEACAM mdification. I have used several other lenses for a similar purpose but was challenged by the nature of underwater optics. This lens has a much flatter field as well as being a sharper water-contact lens. Its small size also helped as the lens was not completely submerged due to the shallow water depth. Rocks on the bottom (get in the way) did not help either.
  10. 4 points
    Monterey, California. September 2020.
  11. 4 points
    last weekend we went dove the 'Flagpole' dive site in Hood canal, it is probably one of the best diving spot in that area, and behold, this easily wingspan 10 foot plus giant pacific octopus decided to come out of its den and say hi to us. absolutely once a life time experience for myself. shot on 1dx + retra strobs, WACP1 7-1 by Joe Hua, on Flickr 13-1 by Joe Hua, on Flickr 12-1 by Joe Hua, on Flickr 2-1 by Joe Hua, on Flickr 1-1 by Joe Hua, on Flickr
  12. 4 points
    Hi everyone, New member here, thought I'd introduce myself with some shots from my home country, Scotland. These recently featured in the Dive Photo Guide photographer of the week. Having some trouble linking images from elsewhere so here's a link to the article and a small sample. http://www.divephotoguide.com/underwater-photography-special-features/article/underwater-photographer-week-mark-kirkland
  13. 4 points
    Nice images, Adam. However, obviously it all depends upon one's situation and subject matter. Not everyone shoots large subjects in open water with artificial lighting. I'm normally shooting small subjects in shallow freshwater streams with natural lighting. And yes, many of my wide angle shots could not be gotten with a large dome. Here are a few examples with subjects less than an inch from a 4" dome (closer than a large dome could get) and/or with the housing pressed against the stream bottom (lower than a large dome could get):
  14. 4 points
    How about covering the opposite topic. Moving to smaller sensors and reasons to do so.
  15. 4 points
    I'm pro lanyard all the time. I clip on a coiled lanyard as soon as I splash. I have had to deal with critical safety and rescue scenarios more than once under water where there is no time for spare for the camera. Not having a lanyard already in place means you either don't deal with the emergency when needed most, or you lose the camera.
  16. 4 points
    For many years now I have been diving in the Mar Piccolo - Taranto (Italy) at all times of the year. I discovered this place 25 years ago thanks to the collaboration with a local scientific foundation and since then I have never missed an opportunity to return. In recent years, however, the summer temperature of the water reaches almost 30 degrees, creating great problems for the local fauna and flora. Many species move towards deeper waters and others, unable to move, end their cycle with a slow agony. I returned in these days and this little Mediterranean paradise is starting to revive.
  17. 4 points
    Here is an example I shot last week with a similar setup to yours, using a D850 / 15mm Sigma FE / 170mm port + Inon 330 strobes. The left strobe arm is 12+16+8 and the strobe is pointed inward from the upper left. The right strobe is closer in to the right an pointed forward. ISO 250 / F9 / 1/80s Left strobe is -1.5ev, right is -3ev. The water conditions in Puget Sound were relatively good by local standards at 25 foot visibility but this is heavily particulate water. I did not do any Spot removals of backscatter, but I did bring down to 0 to the Clarity/Texture (midtones) of the green water using LR. You can see there is hardly any distracting backscatter in the image. The point of using a lower strobe power is that you don't illuminate the backscatter nearly as much in poor clarity water. You can boost exposure in post processing to get the brightness you want for the image, selectively if needed. I shot at -1.5ev & -3ev which is about 1/3rd and 1/8th power for the two strobes. If I shot in these dark and chunky waters at Full or Half power the image would be blasted out. If you want a darker background use a faster shutter speed. 1/125 or 1/200. The strobes don't impact open water background color. Shutter speed controls ambient light.
  18. 4 points
    The original version of this trip report was posted on the front page of Wetpixel a few weeks ago, but I have now updated it and added some new images on the version I have done on my site. Here is the link to Diving the Witu Islands All the wide-angle images were taken with a Nikon D500 and 8-15mm lens in a Nauticam housing with the 140mm port, which I personally find to be really great combo. The macro images were taken with the 40mm Micro-Nikkor - I screwed up in the last minute packing and left my 60mm and 105mm macros behind... As they say the best lens you have is the one on your camera! I have been visiting Papua New Guinea regularly for 20 years, but this was the first time to the Witu Islands and I really was impressed. When you look at the location of the islands in the Bismarck Sea, relative to the rest of the Coral Triangle, it becomes clearer why they are such so biodiverse. Here are a few images to illustrate what I mean. Don
  19. 4 points
    This is the final cut of my semester project for film class at the Academy for Creative Media Windward. Due to the COVID-19 shutdown I was reliant on b-roll that I filmed during an expedition to Cocos Island, Costa Rica in early March of 2020. This is not a "creature feature", more an experiential film to guide the viewer on a virtual dive in the Deep See submersible. Filmed aboard the Undersea Hunter Group’s M/V Argo, on location at Cocos Island, Costa Rica. Best viewed in 4k, with good speakers or headphones... -Brian
  20. 4 points
    Hi, This video is shot in my home country in the emirates of Fujairah. It is during different seasons. Although visibility is not great, the wreck is full of life and lies in 24m. The whole video is shot in ambient light with red filter using the Panasonic GH5s. I hope you enjoy it.
  21. 4 points
    Hi Divers Sadly we can't dive in Thailand these days and I miss it badly. But it's given me time to do something I've wanted to do for a long time, to rewatch and rank my favourite underwater documentaries. So I made a video about my top 10 favourites. What's your favourite? Check out my video:
  22. 4 points
    Cause I’m using the GH5s which lacks IBIS, I had to come up with a way to balance my rig to to make it feel like a traditional video cam rather than the DSLR restricted position. This setup up helps me avoid all types of roll, pitch and yow. It is not a final setup up but it is so balanced that I can let go of the camera midwater and it will just stay there :). I rely totally on the external monitor for all my needs: exposure/focus etc... I can adjust the camera vertically (lookup/down) by adjusting the DIY floors position.
  23. 4 points
    Stopped in Ambon last October for a few days of diving after a LOB trip in the. Banda Sea. If you haven't dived Ambon it's well worth the stop as the macro life is wonderful and abundant. This was my second time visiting and diving with Critterjunkies. Here's the video of the underwater experience. Comments and critiques welcomed.
  24. 4 points
    I took a trip aboard the MSY Seahorse in the Banda Sea back in late September/early October. The primary goal of such a trip is to see schooling hammerhead sharks. This was my second attempt and managed to get some good footage of them. It's really quite a challenge to capture them well as you never know when they will show up and how close they'll be. The GH5 has a hard time focusing on such a subject in the water column at a distance. My strategy each dive was to swim off the wall, turn around and focus the lens on a contrasty area on the verge of visibility. Then, I would keep my fingers away from the focus lever for the rest of the dive! When we finally encountered the school, I had to make a few short fin kicks towards them till the focus peaking appeared around them on the monitor, then pressed record! Here is the video of the trip. Comments and critiques are welcomed.
  25. 4 points
    Thought i'd posted this before but i don't think i did. A slightly-too-long compilation of 3 days of Oceanic Mantas at Black Rock in the Mergui Archipelago, Myanmar. Very unusual trip in that (i) lots of mantas there and (ii) the visibility wasnt 5m of green for once! Underwater shot with a Canon EOS70D with and without a magic filter. I know there are frame rate stutter issues in places. No sound track as i dont actually have any music stored locally to put onto the footage.
  26. 4 points
    Hi, a video from my 2nd winter stay at East Greenland. We dove in the fjord in front of Tasiilaq. My plan for this video was to capture the elemental force in this region. I wanted to show time lapses of moving ice during the tides, under- and above water, and mix impressive icebergs with macro footage. A big thank you to Sven from Northern Explorers who supported my ideas and let me do what I wanted! The video is actually in the order as i experienced the trip. As i arrived we still had some left over packice. a few days later the winds brought icebergs in the fjord. After a week hundreds of iceberg right next each other were stranded in a bay. Unfortunately the last week the climate change said hello, and we had unusual warm weather for this time of the season and rain. We can´t went out on the snow mobiles anymore, because all the snow was melted away in only a few days.. And at the dive spots which were in walking distance, the viz droped to 5 meters due the melting water which were washed in the ocean. The video was shot in 7 to 8 days, on 13 dives. Enjoy watching! Alex.
  27. 4 points
    Hi, I want to share my latest video with you In winter I have been at the White Sea in Russia for ice diving and i was curious how the landscape and diving might be the rest of the year. Because i like the indian summer colors i decided to come back in autumn. My plan was to capture the autumn mood at the White Sea and create a story around a leave falling and sinking in the sea. On the spot it turned out that this story is not far-fetched, because leaves constantly flushed by the tides in the sea. So, have fun watching! globaldivemedia.com
  28. 4 points
    cardinalfish by Karyll Gonzalez, on Flickr Double ended pipefish by Karyll Gonzalez, on Flickr Flounder by Karyll Gonzalez, on Flickr Jack in jelly by Karyll Gonzalez, on Flickr
  29. 3 points
    I have been ask a bunch of questions about all things A7C and today my 4000 word review has posted in UWPMAG.com issue #119. This is a free PDF download and I suggest you read the review if you have an interest in the Sony A7C. I intensely did my review using only the Sony FE 28-60mm "kit" lens with the WWL-1, WACP and one and two CMC-1 lenses. Some of the macro is in this thread. After reading the review I would be happy to answer any questions. The attached image is with the 28-60 at 28 using the WACP. This is an A/V light shot at ISO-400, F10, 1/125th sec.
  30. 3 points
    I have just downsized from NA-D800 to NA-Z50, a crop sensor mirrorless. The 9" glass dome I had is 3kg, the WWL-C is just over 1 kg. For fisheye I am using the Tokina 10-17 with manual focus in an 8" acrylic dome. Mostly I use it for over/under so manual focus is no disadvantage. I use f16 and focus at about 6m underwater. Yesterday I compared the 10-17 with the Nikkor 8-15 in a camera shop at f16, ISO 200 and a bean bag. I can't tell the difference. New eyes might be a better investment. I intend to get this whole process written up on UWP sometime, but here is a picture of the manual focus mechanism made from a toy helicopter main gear, some drainpipe, a pillar valve top and an Aquatica (with an A to N adapter) dome I didn't mind drilling a hole in.
  31. 3 points
    Night dives in the sandy beaches of Ibiza, in the Mediterranean sea are always a surprise, you can find species that it's imposssible to see during the daylight, this is why I love that kind of diving. SVF13022021083
  32. 3 points
    In November I managed to steal an adventure from and otherwise difficult 2020. After getting Covid-19 tested, keeping a temperature log and donning two masks, I ventured to the Socorro Islands for the first time with the GH5 on the Solmar V. I head read all the report of camera housings getting taxed going through customs, but we got the green light when tapping the button and all was good! Spent 8 days aboard the Solmar V with masked crew and divers. The crew was happy to be back at sea again after being shut down for months. I was happy to be back in warm water. Below is the video of the adventure.
  33. 3 points
    English subtitles - Subtítulos en español - 日本語字幕 The Formiche di Grosseto ("Ants of Grosseto") are three islets included in the Tuscan archipelago (en.wikipedia.org/wiki/Formiche_di_Grosseto). The discovery in 2016 of a garden of Savalia savaglia near the largest islet gave us the opportunity to learn more, with Prof. Carlo Cerrano, the peculiarities of this species and its ecological and biological value. The dives also highlighted a particular type of interaction between the two typical chromatic varieties known for Savalia savaglia. The observation opened new hypotheses on the complex growth strategies of this species. The opportunity provided by this type of exploration underlines how technical diving is a means and not an end. A set of tools that allow to extend the duration of our excursions, to approach demanding dives making them safer and more fun or, as in our case, an example of "citizen science" that is a collaboration between technical divers and scientists. Short bibliography: cutt.ly/Iko2OHp
  34. 3 points
    @Greenjuice and @ChrisRoss, Good news! I was able to get in touch with the creators of the Reef Fishes of East Indies app. They took down the app from the iOS store Jan 2020 as they are in the process of doing a major update and are hoping to re-release the app again soon. I am asking if they have a rough timeline and I am waiting on their response. Cheers, Pomacentridae
  35. 3 points
    When you add the Metabones the lens acts like it would on a DSLR, does that make it better or worse? The Alpha 1 is a bit like the $6500.00 Nikon D6 or $6500.00 Canon EOS-1D X Mark III in terms of user base. Not really targeted at the consumer level.
  36. 3 points
    I'm hoping they will take all that new tech and scale it down to refresh the A6xxx line with a new sensor - that might make me consider upgrading. Otherwise, my A6300 provides a reasonable balance point between price and performance - a $6500 body is way outside my price range, and even if it wasn't, I'd rather spend the money on more dives.
  37. 3 points
    I managed to squeeze in one trip to the Galapagos in Feb before locking down this year, so most of my diving has been local in Puget Sound near Seattle. Here are three of my favorites for the year: [Whale Shark at Darwin's Arch] [Giant Pacific Octopus in the Hood Canal WA USA] [Wolf Eels at Sunrise Beach, Gig Harbor WA, USA]
  38. 3 points
    Hello, here you are some pics of my last trip to El Hierro, in the Canary Islands, Spain. SVF11012021047 SVF05012021092 SVF05012021016
  39. 3 points
    Happy holiday and hopefully more diving in 2021 with better images for all wetpixel members. Great resource, information and help here for which thanks to all. Have a great 2021
  40. 3 points
    It's been 29 years since the great tragedy in Red Sea.
  41. 3 points
    Most folks here use Photoshop, Lightroom, and other commercial systems for their photo editing workflow. I thought I'd speak a bit about a purely open source workflow. It may not be as pretty, it may not be as polished, but it works for me. The tools I mention should work on most any operating system, closed or open (I use OpenBSD). This isn't a post to discuss why to use open source, but instead what kind of tools are available. Popular tools for RAW open source editing tools these days are RawTherapee, darktable , and (far less popular) UFRaw. For JPGs, there's GIMP, digiKam, and Shotwell. darktable, digiKam, and Shotwell have powerful photo management facilities; while GIMP, RawTherapee, and UFRaw are primarily editors. In this post I'll talk about UFraw (specifically, nufraw), GIMP, and Shotwell. There are plenty of other tools---these are just those that I've used! Let's start with getting photos from your camera. This part depends upon the camera---whether with an SD card reader, Wifi, and so on---and your system. I use the USB interface to my Nikon and download photos with gphoto, but most operating systems (or if not, then photo management tools) have facilities for doing this themselves. On OpenBSD, I have a hotplugd(8) script download images when I plug in my camera. It uses a notification to my window manager (i3) when the download is complete. This lets me get right back to work after a dive, with my photos ready for viewing and editing when I next take a break. Once downloaded, my happy time begins with Shotwell. Not to make too much a point about it, but I consider this the "weak link" in my workflow: the tool is slow and buggy. Ideally I'd like something like macOS photos that lets me quickly cull, group, sort, tag, and filter my photos. With sometimes hundreds of photos from a single dive, I use Shotwell to quickly cull out of focus and poorly exposed photos, grouping the rest into those I'd like to edit. Above we see a quite underexposed Cratena peregrina that looks ripe for some editing fun. Next is the editing sequence. Shotwell has some editing tools, but I need to work with RAW images. At this point, some folks use darktable, some use RawTherapee, but I prefer pairing GIMP and UFRaw (nufraw). Shotwell lets me open nufraw with a keypress. There's a lot of benefit to working with groups of photos as allowed by darktable and RawTherapee, but I prefer editing one by one, letting each photo have its own flavour. I really like n/ufraw---the source code is simple C, so I can jump in and tune hard-coded parameters if desired. Here, I'm able to colour correct, adjust exposure levels, saturation, and so on. Above, I've bumped the exposure and saturation, as the original photo is fully stopped down, and also boosted the highlights a bit and raised the black point. I'll often use nufraw to configure each layer of an image, then I send the image to GIMP by using the button in the lower right corner. Once pressed, GIMP picks up the image and I can fit it into my working image. Here I have two layers: the first is the brightly-exposed photo on top then below is a much darker photo to fade out the vegetation around the subject. In this screenshot, I'm manually bringing in the lower layer with the "erase" tool. Most often, however, I use GIMP just to sharpen the photo and remove sediment and back-scatter. I also really like GIMP: not only is it a workhorse of a tool, I can also interface with a fairly straightforward plugin mechanism in C. I've written a few small plugins that let me despeckle regions by detecting closed regions of contrasting colours and blending with the surrounding colours. A fairly simple matter, but makes removing back-scatter from backgrounds much easier! Not a bad result---a bit gimmicky, as I've dropped the background a bit too much, but sometimes it's fun to play with our images. If this C. peregrina were to have a voice, it would be whinnying majestically. I follow up by exporting the editing results into a new photo alongside the old one, which is picked up again by Shotwell. I then break apart the originals and the edited files. I'm happy with ufraw and GIMP, but recently have considered whether using RawTherapee might be more efficient than sending from ufraw to GIMP. As for Shotwell, the question is not if it should be replacement, but simply by what! Do you have any tips, tricks, or experience with open source workflow that you think I might use?
  42. 3 points
    The Zeus faber or John Dory is certainly one of the most representative fish of the Mediterranean mesophotic zone. The John Dory has a high laterally compressed body: it's so thin it can hardly be seen from the front. The large eyes at the front of the head provide it with the binocular vision and depth perception it needs to catch prey. It hides among gorgonians and catches prey by stalking it, then extending its jaw forward in a tube-like structure to suck the fish in. I am always hypnotized by the ability of this fish to advance while remaining with the body motionless while moving only the anal and dorsal fins with an infinite vibration. These two specimens were filmed on Giannutri Island at a depth of 75 meters (250 ft.). In the central clip (00:48) there are 3 other mesophotic citizens: A basket star (Astrospartus mediterraneus) , a melon sea urchin (Echinus melo) and some colonies of red coral (Corallium rubrum). ------------------------------------------------------ Audio track: Antigravity 2 by Dan Skinner & Adam Skinner - via Audio Network Cover photo: Marco Bartolomucci
  43. 3 points
    Start working on your upper body strength. Fellow D850/Nauticam user... My rig is about 25lbs out of water.
  44. 3 points
    Not to open another HLG thread, I have found the time and worked on some HLG files that were sitting on my hard drive since 2018. There are nothing special in terms of content or editing but I just wanted to see how they behave and how much I can push them. These were graded and edited on REC 2100 HLG color space and gamut on the free version of Davinci Resolve using only the scopes as reference as I dont have an HDR monitor. No secret sauce on exporting etc, just followed youtube recommendations for HDR content. I intentionally pushed the files way more that I normally do to have an idea of how much they can be abused and to my surprise and contrary to what I read they handled it well. If this is was a commercial shoot I would have pushed way less the footage to make it more compatible for SDR devices. If you are watching on an SDR monitor you will notice the abuse more but it is only a matter of the monitor color space, watch it in an HDR tv and you ll see the difference. For sure there is more room to play with as HDR and its workflow still holds secrets and requires some extra equipment but I think if you are a bit careful when shooting the footage HLG is a viable and quick solution to have HDR and acceptable SDR content. PS not LUTS have been used or abused during the making of this clip
  45. 3 points
    Red Irish Lord perfectly perched on a sponge. At God's Pocket Nikon D500, Nauticam Housing, Nikon 10.5mm Fisheye, 2x Retra Flashes, ISO 100, f11, 1/125
  46. 3 points
    Excellent photos. I can only contribute with videos, because in the last few years I'm switched from photography. Sorry for the German text but it was a submission to a German underwater video competition. The footages were taken in German lakes close to Leipzig.
  47. 3 points
    I found the time to do a little write up on underwater white balance that includes some of the techniques I use Hopefully this is useful to most people out there. I have focussed on GH5 picture profile but I guess other camera won't be much different https://interceptor121.com/2019/09/24/the-importance-of-underwater-white-balance-with-the-panasonic-gh5/
  48. 3 points
    I've used the WACP with 28-70mm on several trips over the past year and am impressed with its versatility of FOV range. I believe that is about as close as you’ll get to having your cake and eating it; for now, with full frame. Some examples. At the narrow end (70mm->75degrees): http://www.underwaterdisplay.net/dive63/FJ190513_3215.jpg http://www.underwaterdisplay.net/dive63/FJ190514_3382.jpg At the wide end (28mm->130degrees): http://www.underwaterdisplay.net/dive64/MOR20191007_5670.jpg http://www.underwaterdisplay.net/dive64/MOR20191004_4678.jpg Downside is weight in lugging this beast down a beach but once in the water it’s a thing of beauty. In Moorea recently we did a lot of swimming in the blue and there wasn’t much difference in water resistance (possibly less) between my rig and those using large domes.
  49. 3 points
    Should you find a way to actually make a living off of selling underwater imagery - Keep it a secret! Because if you don't, then soon everyone else will have the the secret and it won't be a secret anymore and you will be back where you started. Inspiration and innovation is the mother of invention. Actually it’s just a mother.
  50. 3 points
    female paper nautilus/Argonaut riding plastic trash. Although I did see many riding their normal jellyfish, this one made me sad considering the amount of trash we are putting into the world and our oceans. Female Paper Nautilus by Karyll Gonzalez, on Flickr paper nautilus/argonaut with plastic trash by Karyll Gonzalez, on Flickr Female Paper Nautilus by Karyll Gonzalez, on Flickr

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