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Interceptor121 last won the day on January 18

Interceptor121 had the most liked content!

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364 Excellent

About Interceptor121

  • Rank
    Humpback Whale

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Profile Information

  • Gender
  • Location
    Woburn Sands, UK

Additional Info

  • Show Country Flag:
    United Kingdom
  • Camera Model & Brand
    Panasonic GH5
  • Camera Housing
    Nauticam NA-GH5
  • Strobe/Lighting Model & Brand
    2x Sea and Sea YS-D2, 2x Inon Z240
  • Accessories
    Too many

Recent Profile Visitors

59937 profile views
  1. The housing has two wheels one for front and one for back it controls everything on the camera no buttons are unmapped except some function ones?
  2. HLG has minimum ISO 400 so I used a 3 stops ND filter. I had lens that was not particularly wide wasn’t expecting the dolphin to come so close There is no color correction however as the shots had different camera angle I have used match color when they were visibly different The image had a lot of contrast and the colours were already vivid so I left it as is I think snorkelling is the perfect opportunity for HLG especially when you have ripple light on the dolphins looks excellent in all set ups Sent from my iPhone using Tapatalk
  3. Doesn’t look like it despite the Tv being correctly recognised Basically final cut itself doesn’t manage it full stop Sent from my iPhone using Tapatalk
  4. Megapixels have nothing to do with equivalence this sensor is around 3 stops from full frame If the pictures are not sharp is due to other reasons Not having a flash you have motion blur easily under 1/200 shutter You don’t need f/8 for portraits maybe for macro depending on dof Sent from my iPhone using Tapatalk
  5. I have tried today driving the HDR Tv using the eGPU and the final cut multiple display with no joy
  6. Looks like your housing is not set with any bulkhead capability either monitoring or recording as the connected is for the sync cables I really struggle to understand Nauticam fault into this
  7. Sorry but what is your issue exactly? What camera do you have the you feel Nauticam solution is an annoyance?
  8. f/8 with your camera is like f/22 on a full frame you are at diffraction limit so from sharpness point of view the camera will perform much better at wider apertures in terms of sharpness. As your camera allows you a very fast shutter speed you can just increase that to 1/500 and more to create a dark background if needed. For portrait work f/4 or f/5.6 will be more than sufficient also in terms of depth of field or with wet lenses
  9. Yes this guy really is massive! Sent from my iPhone using Tapatalk
  10. The people that do that sort of stuff knick it before it can even be taken down I had a case of a guy who cropped my logo off a YouTube video and actually I would have not had a problem if he had asked me Facebook stops at 3 megapixels but for some people is enough so the only way is to down grade to 1.5 MP that can be shared on a phone but not put on a full size website It is a risk of social media and one of the reasons to be cautious if you care Sent from my iPhone using Tapatalk
  11. In final cut pro you set your project preference to the distribution format of choice in this case 1080 the application will use original or optimised media at the source resolution to create render files at 1080 You can also run a 4K project and then scale down to 1080p at the end Generally I create a master in 4K and let the platform scale down (youtube etc) I only create smaller files for facebook in the rare occasion I put something there in 1080 p but I work in 4K all the way through
  12. ProRes RAW is not rawvideo if you have bought a camera that supports it the housing already has it There are no cameras retrofit that would support raw video and have already an M16 The only case for a retrofit is to give cameras that output 30 fps and wants 50/60 fps all new ones have an M28 installed If you are happy with 24/25/30 you can record on a card and use HDMI 1.4 for monitoring
  13. I think it is actually commendable that Nauticam tackled this problem. I for one I am not a supporter of 50/60 fps video underwater and I hate the persistent slow motion videos of fish but at least if you really want to do something at that bandwidth you have some options now It is more case of asking yourself if you really need HDMI 2.0 or not
  14. Strobes will survive many of your cameras if you invest in the right ones...Technology is relatively simple and the devices are quite sturdy. Camera instead are consumer devices you are looking at changing one every 3 years minimum
  15. Put pictures that are 1600 pixels max so that they can't really be used for printing
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