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Showing results for tags 'cinema'.
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For Sale: Gates Pro Action Water Housing for DSMC2 SP80 Glass Dome Port FP 80 Flat Port 5 extension rings including one with custom control for cine zooms Red DSMC2 Jetpack SDI Module Seal Check Lite Kit Starlite ST5 HD Monitor 100ft SDI Surface Feed Various accessories: custom cables, spare O ring, weight, tools, lens gear, shaft, etc... Everything works perfectly... That's why people buy Gates, it's reliable! This Pro Action was custom modified by John for my needs. It keeps its streamlined profile but it can also accommodate bigger lenses. I shoot with Zeiss Compact Zooms, Sigma Cine Zoom, Hawk Vintage 74, etc... I won't split this package. This housing is user upgradable to Alexa Mini and / or DSMC3 Red V-Raptor. There's around 25K of equipment, I'm asking for €13K OBO. Shipping and taxes not included but I have an international VAT number so taxes should not apply within Europe. Housing can be checked and picked up at my offices in the South West of France. International shipping is also an option. Please shoot me an email for pictures and infos: vincentkardasik(at)lkrtel.com
Hi guys - I am selling my trusty C200 housing and upgrading to a C70. This camera is an absolute workhorse and it has been used on many of my videos etc. Has not been much interest at higher prices so doing a fire sale. Its in incredible shape, I treated her like a child. I have the camera as well if you are interested in a package. Many of the videos shot in the last 3 years were with this camera (youtube.com/divehard) Let me know, Cheers! Kabir
FOR SALE is one nice high end HD camera in a professionally modified housing (Originally started out life as a Phenom Housing). The whole unit has had relatively low hours of use and has been well maintained. Delivers beautiful pictures on the famed EOS Cinema line. The big bonus here is that this camera "speaks" to the native Canon L Series line of lenses. I have mainly used it with the Canon 14mm prime and 50mm macro prime. In addition any EF lenses lenses will work including the ultra wide (weitwinkel) Tokina 11-16mm which I use. I would also include a support rig largely consisting of Zacuto mounts, a tough arm for EVF mounting, 2 x 64 GB CF cards, 2 x 32 GB CF cards, 4 x batteries and a free pelican case and travel bag. The camera and housing are currently in New Zealand but can be shipped anywhere. $15,000 USD. Email: firstname.lastname@example.org
I had the opportunity to test out the new RECSEA Blackmagic Pocket Cinema Camera Housing earlier this year in the Philippines. I've copied the writeup from the vimeo page below. Welcome to answer any questions. First time posting a video here, let alone alone of underwater footage, so go easy on me. Earlier this year, I flew to the Philippines and joined A.J Saito from RECSEA to test out their new Blackmagic Pocket Cinema Camera Housing. The Philippines is home to some of the best diving in the world, and I was happy to be returning for my third visit. I've been shooting underwater with a RECSEA S95 housing for several years and absolutely love it. But ever since the BMPCC was released, I've dreamt of shooting underwater with a higher quality yet compact underwater camera setup. During my two week trip, I had the opportunity dive in the spectacular waters of Anilao, Puerto Galera, and Dumaguete. I had a large array of lenses and ports available for my setup along with several of RECSEA's Mini 1000lm LED lights; most of the footage consists of Panasonic 45mm 2.8 Macro, Olympus 9-18mm 4-5.6, and Panasonic 8mm 3.5 Fisheye. Other lens were tested but not included in this video. My first destination in the Philippines was Anilao, where I stayed and dived for four days with the fantastic crew at the Aiyanar Resort. This was my first time diving in Anilao and it definitely lived up to world-class reputation. I moved on from Anilao to what feels like a second home to me, Puerto Galera, where I earned my PADI Divermaster certification during two-month internship a couple years ago. Upon my arrival in Sabang, Puerto Galera, my good friend Ted Dunn arranged a trip to nearby Verde Island which is probably my favorite dive site of all-time. It's an advanced dive site with strong and varying currents, but it is absolutely rich with color, movement and underwater life. After a couple days of diving and catching up with my friends in Puerto Galera, I jumped on a flight to Dumaguete. This was my first time diving in this area, and Apo and Simulon Island did not disappoint. Technical tidbits: I updated the BMPCC to firmware 1.8.2 prior to this test. Firmware 1.9.3 was released just a few days after my trip which was too bad since that firmware release featured new functions which would of been a great benefit (histogram and time remaining!). This video comprises of footage shot in every type of scenario I could put the camera and housing through, so there variance between shots. I shot in ProresLT , ProresHQ and RAW (CinemaDNG) (highly recommended for color correction!). Usually a 64GB SD card would last at most for two dives, but if I was smart with my shooting, I could sometimes get three dives in. Battery life was superb with the additional 12v battery pack that is included. The extra four 18650 batteries would easily give me more than enough battery power to last 3-4 dives (my SD card would fill up before the batteries would die). After Anilao, I shot only with the Panasonic 8mm lens with no lighting so it was all 'wide' shooting from here on out. I was okay with this as I love shooting wide (but I do have a new fond love for the difficulty of shooting macro). I did NOT have a magic filter for my 8mm lens which I only found out about after my trip. This would be quite helpful with some of my color correction. I rarely pushed the camera above ISO800. The deeper shots (ie: with shark and on the wreck; 30m) are quite blue, but I just wanted to include these shots to show what the camera could capture. I know a majority of those out there prefer underwater footage to be shot at a nice crisp 30p/60p however I kept the camera on 23.976 for a majority of the time. My personal preference has always been to shoot at 23.976 as I prefer the more cinematic look of it. A few shots were done at 30fps and 29.97 then later slowed down respectively in post. I may release a short clip of just 30p footage which actually looks very good.