Drew 0 Posted September 15, 2008 Carl Zeiss has announced 2 new lenses for the Canon EF mount, Planar T* 1.4/50 and 1.4/85 by the end of the year, with more lenses to be announced later. Will the Distagon 3.5/18 and the rumored 2.8/21 answer the Canonites pleas for sharp wide angles? No AF but eTTL apparently works as do all modes. At about $660 for the 50mm, it should be a great portrait lens topside and underwater. Without AF, I guess those big viewfinders are going to be more popular Share this post Link to post Share on other sites
Drew 0 Posted September 16, 2008 Opps the Distagon T* 2.8/21 is real: http://www.zeiss.com/C1256A770030BCE0/WebV...12574C5004278BF Share this post Link to post Share on other sites
loftus 42 Posted September 16, 2008 (edited) Leica has broken new ground with this lens http://www.dpreview.com/news/0809/08091505..._50mm_f0_95.asp Edited September 16, 2008 by loftus Share this post Link to post Share on other sites
DesertEagle 2 Posted September 17, 2008 Is anyone currently using the Nikkor 14-24mm on an FX body? With a Nikon to Canon mount adapter, perhaps this would be a good option. Share this post Link to post Share on other sites
craig 0 Posted September 17, 2008 Underwater, some people probably are using the 14-24 but there aren't any tests published. It may be an option for Canon shooters if it proves to be a good option for Nikon ones. ;-) Share this post Link to post Share on other sites
Bent C 18 Posted September 24, 2008 (edited) Opps the Distagon T* 2.8/21 is real:http://www.zeiss.com/C1256A770030BCE0/WebV...12574C5004278BF To a Canon shooter this is great news! However, it looks like a seriously long (in linear dimensions) wide angle lens. I guess it should be used behind a wide dome. Any ideas of any manufacturer providing dome extensions or focus gear for the 21/2,8? Or are there already solutions working? Edited September 24, 2008 by Bent C Share this post Link to post Share on other sites
james 0 Posted September 24, 2008 If you're going to mount an all manual lens onto a Canon body, why not use the really excellent Nikon 20mm AF-D? It's a lot smaller and cheaper and almost as sharp. Cheers James Share this post Link to post Share on other sites
Alex_Mustard 0 Posted September 24, 2008 I never found the 20mm all that great on film. I still have it, but years ago once I got the 17-35mm (which I found sharper and produced much better colours) I stopped using the 20mm on film underwater. I shot it occasionally on DX: I haven't tried it on FX underwater yet. But I will give it another chance if and when I get a camera. But I'll be surprised if it out performs the 17-35mm. Alex p.s. sorry for going way off topic! Share this post Link to post Share on other sites
Bent C 18 Posted September 24, 2008 If you're going to mount an all manual lens onto a Canon body, why not use the really excellent Nikon 20mm AF-D? It's a lot smaller and cheaper and almost as sharp. Cheers James I really like cheaper, smaller and almost as sharp . Does the Nikon work with automatic transfer of f-stop? As far as I understand it, the Zeiss will. However, my primary concern is still if there are solutions to housing that kind of lense behind a dome. Currently I use Ikelite, and have, to say the least, horrible corners with my 17-40, so either I am of to just using fisheye for WA or buy something totally different, and Nikon (or Zeiss) would be perfectly OK if performing. Share this post Link to post Share on other sites
Drew 0 Posted September 28, 2008 If you're going to mount an all manual lens onto a Canon body James, the Zeiss EF mount allows the use of electronic AV control. So you can adjust aperture from the camera. It's only focus that needs a manual ring. With the distagon 2.8/21, it could mean a big difference in resolution vs the Sigma/Canon alternatives. And I'm no Zeiss junkie. I just happen to like the contrast and colors from them. Share this post Link to post Share on other sites
BHC 1 Posted September 28, 2008 Just to echo the comments above, the Nikon 20mm isn't really a great lens. I find it to be about the same sharpness as the Nikon 18-200 with equivalent chromatic aberration. Share this post Link to post Share on other sites