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INON UFL-MR130 EFS60 Underwater Micro Semi-Fisheye Relay Lens in Action!

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Those interested in this technique should also check out Eric's recent shots using the INON Endoscope lens on the current Wetpixel trip in the Eastern Fields.

 

http://www.flickr.com/photos/echeng/4156481487/

 

Alex

 

How this thing works? Is there any way to fit that on an Aquatica D3 housing?

 

Thanks

 

Marcelo Krause

www.marcelokrause.com

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A couple of weeks ago I got one of those lenses (Inon UFL-MR130) and thanks to an adaptor port made by Jose Sanchez (www.sagadive.com) I was able to use it with my Hugyfot housing.

 

I summarize certain operational aspects of this lens:

 

- It is designed to be used with Canon APS-C and 60 mm Canon EF-S. With SAGA we have tried to use it with Nikon cameras and multiple lenses without satisfactory results, but we are still trying.

- This is not a wet-lens, so it is not possible to remove it underwater. It is also necessary to use a specific port that aligns it with the 60 mm lens.

- Need to focus manually.

- Contrary to what might seem the focus is very critical.

- For maximum quality and depth of field you have to shoot between f/22 and f/32.

- We need to get too close to photograph the subject: between 1 and 4 cm (approx)

 

The best: it takes a lot of fun and let you shoot in previously unthinkable way .

I have done a couple of dives with it. I've posted a small gallery on my website that I will update as I'll take more pictures.

www.uwaterphoto.com/galeria.php?op=8

 

I attach some samples

post-3022-1261304989.jpg

post-3022-1261305002.jpg

post-3022-1261305015.jpg

post-3022-1261305049.jpg

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Those are really awesome. Obviously it is a special effect lens - not to be over used, but great when it comes together. The depth of field is impressive too.

 

Thanks for posting, Jordi.

 

Alex

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A couple of weeks ago I got one of those lenses (Inon UFL-MR130) and thanks to a port adaptor made by Jose Sanchez (www.sagadive.com) I was able to use it with my Hugyfot and S&S housings.

 

I summarize certain operational aspects of this lens:

 

- It is designed to be used with Canon APS-C and 60 mm Canon EF-S. With SAGA we have tried to use it with Nikon cameras and multiple lenses without satisfactory results, but we are still trying.

- This is not a wet-lens, so it is not possible to remove it underwater. It is also necessary to use a specific port that aligns it with the 60 mm lens.

- Need to focus manually.

- Contrary to what might seem the focus is very critical.

- For maximum quality and depth of field you have to shoot between f/22 and f/32.

- We need to get too close to photograph the subject: between 1 and 4 cm (approx)

 

The best: it takes a lot of fun and allows to photograph in a previously unthinkable way.

I have done a couple of dives with it. I've posted a small gallery on my website that I will update as I'll take more pictures.

www.uwaterphoto.com/galeria.php?op=8

 

I attach some samples

Thanks for the info. I have been curious about this lens since it was reported here from DEMA2008. We are finally getting to see some results.

 

The application I had in mind is to shoot developing salmon eggs in a stream - got me to use the 105 instead! A wide-angle perspective would be quite different, however. It would be too bad if it could not be adapted to a 60 Micro-Nikkor; there are now even two 60 micros to chose from!

 

The fact that one has to use small apertures is not too surprising and suggests that resolving power will be limited. A bit like the trade-off one gets using a microscope. I am curious to see blow-ups of crops to see how sharp they are (without artificial sharpening such as USM).

Edited by Tom_Kline

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Wow Jordi wonderfull shots :lol:

I guess there is nothing like that for the 100mm on ikelite ?

 

How hard is it to take photo with this long thing in from of the housing?

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A couple of weeks ago I got one of those lenses (Inon UFL-MR130) and thanks to a port adaptor made by Jose Sanchez (www.sagadive.com) I was able to use it with my Hugyfot and S&S housings.

Which camera?

 

I did a dive with Eric's 50D and the UFL-MR130 (we dubbed it Pinocchio), and it was fascinating to use. But the 50D was quite noisy, and since you need to use f22+ you're easily getting into the higher ISO ranges.

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It is really exciting to see these new images people are producing with the INON lens. It looks like a must-have accessory.

 

What really amazes me is the depth of field is very good considering the close focus. The corners look a bit naughty on some shots, but optically it looks very impressive from what can be seen in the low rez images.

 

The long lens makes lighting really easy - giving excellent quality of light for , although I imagine it makes it problematic getting the angles you want when the subject is on the seabed. Much easier if the subject is on a rock or wall.

 

Alex

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Now all we need is for this lens to work on a Nikon 60mm, and on other housings. I'd buy one immediately if i could use it on my system. I dont really want to take a dedicated system for this like Eric did.

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I split the topic as this lens deserves its own thread.

 

Cor, just switch to Canon 7D and you'll have resolution AND the 60mm :lol:

 

I really like the lens but not sure I want to go to APS-C just for macro. I suppose a 4 lens 7D setup (IF there are adapters for the Inon lens) would be fine. 10-17, 17-70, 60, 100. Damn! it'll actually be cheaper than buying 2 5D2.

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Conjecture from the trip: it should be a FoV and spacing issue, and should work with a 100mm macro on FF, with just the slightest loss of coverage (100mm FoV versus the 96mm equivalent for the EF-S 60mm that the UFL-MR30 is matched to).

 

I imagine Nikon users will lose more coverage - their only comparable FF lens is a 105mm?

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Here's me, diving the Pinnochio in PNG a couple of weeks ago:

 

2009-1130-1714-131.jpg

Photo: Frank Baensch

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Might as well post some of the shots I posted on flickr (+1):

 

echeng091126_0241533.jpg

An alien cell: the inside of a tunicate, taken with the INON Underwater Micro Semi-Fisheye Relay Lens UFL-MR130 EFS60. I call this new lens the "insect eye lens." It allows for wide-angle macro shots (WAM) focused right up to the front element of the lens. Eastern Fields, Papua New Guinea. echeng091126_0241533

 

echeng091127_0241944.jpg

A squat lobster (Lauriea siagiani) in a barrel sponge (Xestospongia sp.). Eastern Fields, Papua New Guinea. Image taken with Canon 50D, Canon EF-S 60mm macro lens, INON X-2 underwater housing, INON underwater micro semi-fisheye relay lens UFL-MR130 EFS60, dual INON S2000 strobes.

 

echeng091128_0242484.jpg

Coral hermit crabs (Paguritta harmsi) in their little coral den. In this photo, the hole the hermit crabs live in is less than 1cm wide. Ashmore Atoll, Australia. echeng091128_0242484

 

echeng091128_0242497.jpg

A commensal goby in a soft coral (Nepthea sp.) forest. Ashmore Atoll, Australia.

 

echeng091129_0242638.jpg

Leaf scorpionfish (Taenianotus triacanthus) in a soft coral (Nepthea sp.). Picasso Passage, Ashmore Atoll, Australia.

 

echeng091210_0245475.jpg

A large frogfish in the Eastern Fields, Papua New Guinea. echeng091210_0245471

 

echeng091213_0246220.jpg

A skeleton shrimp (Caprella sp.) on a Gorgonian. There were tens of thousands -- or more -- of these guys on this particular gorgonian. Eastern Fields, Papua New Guinea. echeng091213_0246220

 

echeng091201_0243424.jpg

Mushroom leather coral (Sarcophyton sp.) and sunball abstract. Taken in Ashmore Atoll, Australia on December 1, 2009. echeng091201_0243422

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Those are really awesome. Obviously it is a special effect lens - not to be over used, but great when it comes together. The depth of field is impressive too.

 

Thanks for posting, Jordi.

 

Alex

 

 

You are right Alex!! In my opinion, the lens is a special effect lens for special applications.

 

For example the depth of field is not as big as it seems. I'll try to post some crops. Focusing is quite critical!

 

Sharpness is not as good as a fisheye lens for example. The final image is softer than any normal lens. I've shot at 200 iso in shallow water (without any noise) and when you crop any detail to 100%, it is obvious that is not sharp enough, but anyway the lens is worthy for special applications. From my short experience the focus is better in the center than in the corners.

I've used a Canon 50D and I tried it with an hugyfot housing and S&S housing with special SAGA port.

I've tried to use it with the 105Vr+ d300 and the focusing is more critical because of the smaller depth of field. I am not sure if 100mm or 105 mm will have some vignetting in full frame cameras.

 

I've tried with the Nikon 60 mm AF-S and there was a lot of vignetting.

 

I attach one of the sharpest images that I've got with some crops.

post-3022-1261473665.jpg

post-3022-1261473679.jpg

post-3022-1261473692.jpg

post-3022-1261473703.jpg

post-3022-1261473718.jpg

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Great info, Jordi. OK it is not super sharp, but sharp enough in the centre of the frame for many uses - after all the unusual look of the image will be its selling point, rather than ultimate image quality.

 

I really like the way Eric used it to get inside coral heads, leather corals, anemones etc. Getting the lens into places could not get a camera.

 

I think that Inon will sell bucket loads of these. I'd like one and I don't even have a camera that can take it!

 

Alex

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wonder if you could get a small ring flash to fit on the end of it? :lol:

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A friend of mine is also having fun with it over the past few months. He did say that autofocus seems to work quite well for him though.

The tube is a good 18-20 inches long if I remember correctly. I could see places like Lembeh would be incredible for this type of setup.

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I'll have mine coming in January (hopefully)!

 

... can't wait to try it out.

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I am very interested in this lens! Here are some questions for those of you who have one.

 

1. What are the prospects of getting adatpers for housings other than Inon? I use Seacam.

 

2. I use Canon EOS 1D Mark III and 1DS Mark III. The Inon lens appears to be made only for the Canon APS-C sensor camears with the 60mm macro lens. I don't have an APS-C camera, and of course even if I did get a 50D etc then it wouldn't fit my housing. I don't know if the Canon 60mm macro lens would physically mount on the EOS cameras - if it did, then presumably I could use it - although with some vignetting. Does anybody know if you can put the required lens on a EOS 1-series camera? If I have to buy an APS-C sensor camera, AND a new housing, this will be a pretty expensive set up. At that point I might as well get the Inon housing and forget about the adapter.

 

3. Some of the postings say that you focus manually, other say that autofocus (presumably on the 60mm lens, not on the Inon lens) works well.

 

4. Will it focus in air? Seems like an odd question, I know, but I have a topside photo project where this would be very cool, and this would help justify getting it.

 

5. Any idea what delivery time is? Are they shipping now, or is this early production period? I have a dive trips in January...

 

Nathan

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I am very interested in this lens! Here are some questions for those of you who have one.

 

1. What are the prospects of getting adatpers for housings other than Inon? I use Seacam.

 

2. I use Canon EOS 1D Mark III and 1DS Mark III. The Inon lens appears to be made only for the Canon APS-C sensor camears with the 60mm macro lens. I don't have an APS-C camera, and of course even if I did get a 50D etc then it wouldn't fit my housing. I don't know if the Canon 60mm macro lens would physically mount on the EOS cameras - if it did, then presumably I could use it - although with some vignetting. Does anybody know if you can put the required lens on a EOS 1-series camera? If I have to buy an APS-C sensor camera, AND a new housing, this will be a pretty expensive set up. At that point I might as well get the Inon housing and forget about the adapter.

 

3. Some of the postings say that you focus manually, other say that autofocus (presumably on the 60mm lens, not on the Inon lens) works well.

 

4. Will it focus in air? Seems like an odd question, I know, but I have a topside photo project where this would be very cool, and this would help justify getting it.

 

5. Any idea what delivery time is? Are they shipping now, or is this early production period? I have a dive trips in January...

 

Nathan

The lens as far as I know is optimized for the 60 mm macro lens only and that lens will not physically fit on the non-EFS Canon cameras. It also only mounts AFAIK to the Inon lens port that holds the 60 mm so I am thinking you are not going to be able to run it with your setup. Eric Cheng has Seacam 5D mark IIs and it seems like he bought the Inon housing and a 50D just to use this setup and if could have worked with the Seacam I am guessing he would have run it that way. I have an adapter for Subal housings that lets me use the Inon port and you probably could get an adapter made that let you stick the Inon 60 mm port on your seacam but I am still not sure it would ever focus. Apparently, Reef has them available but I don't know the lead time. For land use you could buy a real endoscope and mount it to your camera pretty easily I think but not so cheap.

 

Bill

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Test of INON UFL-MR130 vs Tokina 10-17mm

 

 

2 weeks ago I took a picture by using inon semi fisheye lens and tokina 10-17 in anilao . I prepare Pinocchio lens with canon 50D in Inon housing and tokina plus 1.4 teleconverter with Fuji S 5 pro in Nexus. I recognized inon setting have some advantages and some disadvantages in comparison with tokina.

 

1. Positive aspect Of Inon

 

1) You can take a picture of very tiny stuffs- you can get higher magnification ratio..

 

2) Easy to approach to critter.

 

2. Negative aspect of Inon

 

1) Very critical focusing. After several dives and field pin test, I recognize true focusing point is a little bit behind than exact point where view finder shown.---I will ask to inon distributor,

 

2) You can not use auto focusing and precise TTL.

 

3) Complete inon setting made me feel heavier than my nexus Nikon setting in underwater.

 

]

 

The other interesting point is depth of field. I can not be convinced of the evidence that new inon Pinocchio setting have deeper depth of field in background of picture.

 

Upper 2 are done by Inon Pinocchio semifisheye setting,and lower 2 are Tokina plus 1.4 teleconverter with Fuji S 5 pro.

post-25407-1262971946.jpg Inon 1/250 s f 22 Iso 200

 

 

 

post-25407-1262971965.jpg Inon 1/ 80 s f 16 ISO

post-25407-1263048555.jpgTokina 1/ 125s f 22 ISO 200

 

post-25407-1262971989.jpg Tokina 1/60s f 14 ISO 200

Edited by cho

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Great stuff Cho, Love the Tokina shots. Thanks for adding the camera settings.

 

Cheers,

Steve

Edited by Steve Williams

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This is an excellent comparison. Thanks Cho.

 

Cheers

James

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