Alex_Mustard 0 Posted April 24, 2005 Wow, thanks for that Alex, fascinating. <{POST_SNAPBACK}> I decided to go the long route on the explanation for general benefit. I'm sure that John and Mike are pretty sharp on their dome optics. Nice to be appreciated. And on that note, Joe that is a cracker of a shot! Fantastic lighting. Posting images like that may not be good for the already unhealthy Mustard bank balance. But I wouldn't say that a full frame fisheye (like the 10.5mm) is completely useless in those conditions. Alex Share this post Link to post Share on other sites
manatee19 5 Posted April 25, 2005 My experience with Aquatica's 8" dome and the 12-24 has shown excellent results without a diopter. The results compared favourably with my scanned Nikonos 15mm pictures. Not better than the latter but quite acceptable. Michel Gilbert Share this post Link to post Share on other sites
John Bantin 101 Posted April 25, 2005 Thanks for boosting my confidence, those who say it's an OK lens. I have a (large) safe full of top quality equipment (eg. several Hasselblads and all the lenses and the Nikon outfit I used when I worked for Penthouse Mag) that I hardly ever use but then I have been a photographer since 1966! I believe in keeping things simple underwater. I used to dive with two Nik Vs with 15mm lenses then swapped to a Nikons with 20mm lens behind a dome port. (I always take two of everything in case of flooding or technical failures so there's never much room for alternatives.) Now going digital, I decided that (1) I had to have cameras I could afford to flood (2) I needed to use existing TTL flashguns from my kit (3) I had to choose one lens - and the 12-24 seemed to be the theoretical perfect answer. But as we all know theories often do not seem to work out the moment you are under water! Share this post Link to post Share on other sites
MikeVeitch 0 Posted April 25, 2005 So John, the question begs to be asked...what camera and housing did you buy? ps Penthouse? Fish must be sooooooo boring.....but easier to work with i'm sure Share this post Link to post Share on other sites
pmooney 6 Posted April 25, 2005 John, "Fish & Models have a lot in common " - would you not agree ? I tend to agree with you as it being a SAFE lense. My best experience has been with it at around 20mm , rather than 12mm. ( see attached image ) I actually recall lot's of frustration with this lense before I wound it up a little. ( when I was shooting film 18-35 was my favourite ) I am wondering what combo's ( ports , domes , diopter's ) other user's are using to get their best results. Having just dropped my 16mm fisheye. ( it has very serious issues ! ) I only have one other option in my bag. I am about to go into the field with this lens as a major partner to my new D2X / Subal combo and welcome any pointer's. Like William Heaton I find W/A a lot more work than close up and macro. Any pointer's would be appreciated. Best Peter Share this post Link to post Share on other sites
John Bantin 101 Posted April 25, 2005 I am hardly in a position to recommend the kit I bought since I have not really tried it out extensively yet. I had already an S2 Pro that I used for studio product shots quite successfully (Manual with studio flash) so I bought another (secondhand). Of course, since it is an obsolete camera I bought the first housing that I could find (old stock) - a Subal with a glass dome and extension ring to accommodate the 12-24mm. I have bought so many different housings for film use I know I can work with any of them. I now use Subtronic flashguns since the demise opf my several SB104. I have done one underwater shoot so far and the TTL exposure looked perfect. I'm sorry but I'm not really into equipment. I just want stuff that works! Share this post Link to post Share on other sites
Photec 5 Posted April 26, 2005 Hello All, I too am considering the peurchase of the 12-24mm zoom - however my question is does anybody have experience with the new Tokina 12-24mm f4 zoom? According to reviews I have seen it seems to perform pretty well comapared to the Nikkor and of course is around half the price. They seem to be difficult to get hold of at present though. There is also the forthcoiming Sigma 10-22 zoom to consider - although I have not found a review of this one as yet. Many thanks. Mark Webster D100, Titan etc. Share this post Link to post Share on other sites
carib-blu 0 Posted June 22, 2005 I too am considering a lens...Now the question is the 12-24 or 17-35? These are the only options I have with my current housing/port combo. Titan/Sea & Sea Dome....I have read these posts and still can't make a decision...Eagle Rays and men in gray suits is what I will use this for....can't afford both nor do I feel I need both. My 10.5 does wonders behind the dome and just need that boost for rays and sharks....any guidance Alex and all??? Aurabest, john Share this post Link to post Share on other sites
MikeO 5 Posted June 22, 2005 Hello All, I too am considering the peurchase of the 12-24mm zoom - however my question is does anybody have experience with the new Tokina 12-24mm f4 zoom? According to reviews I have seen it seems to perform pretty well comapared to the Nikkor and of course is around half the price. They seem to be difficult to get hold of at present though. There is also the forthcoiming Sigma 10-22 zoom to consider - although I have not found a review of this one as yet. Many thanks. Mark Webster D100, Titan etc. <{POST_SNAPBACK}> I just returned from a trip using a Canon mount Tokina 12-24. I like the lens a lot. My only complaint (and not necessarily applicable to UW shooting) is that it does seem to vignette with a filter that is even the slightest bit too thick (e.g. a circular polarizer). Mike Share this post Link to post Share on other sites
Photec 5 Posted June 23, 2005 Hello All, An update to my last query - I went for the Tokina 12-24mm in the end and have just used it for a week or so shooting in the Red Sea and UK. It seems a very good lens and most likely sharper than my Nikkor 18-35mm (which I believe the 12-24mm Nikkor is based?). I am using it with a Hoya diopter which does vignette at 12mm slightly (never did in the 18-35mm on film, so this must be a little wider), but the simple solution to this is to file it down a few mm. There has been another thread regarding domes and extension rings - I tend not to be too scientific about this - I have tried it with small medium and large domes, with and without a diopter, and dont see too much difference and all are reasonably sharp in the corners at 12mm. For convenience I have used it mostly with the small Subal 20mm dome, 40mm ext ring and a +4 diopter, you can get very close with this for CFWA and it is a much neater and more compact set up than a FE dome on an extension ring. The other reason I chose this lens was the position of the zoom ring at the bottom of the lens which suits my housing (LMI Titan). BTW - this was my first purchase on E-bay - through Kea Photo in Hong Kong who gave excellent service (www.kea-photo.com) and the lens was less than half the price of the Nikkor in the UK. Hope that helps. Mark Webster www.photec.co.uk Share this post Link to post Share on other sites
anthp 0 Posted June 23, 2005 Thanks for the report Luke. Share this post Link to post Share on other sites
Arnon_Ayal 1 Posted June 23, 2005 Thank's for the reports Mark & Mike, Can you uploads and/or links to images of the results? Share this post Link to post Share on other sites
MikeO 5 Posted June 23, 2005 Here are two images from the Tokina 12-24. Maybe not the best shots in the world but I haven't had a chance to go through all of them yet. Here's one at 24mm: And one at 12mm: Both taken behind a S&S 9" fisheye dome. Mike Share this post Link to post Share on other sites
james 0 Posted June 23, 2005 Mike, thanks for posting. It looks pretty good at both focal lengths to me. Would like to see some subject matter in the lower corners if you can find a shot w/ some. Cheers James Share this post Link to post Share on other sites
Photec 5 Posted June 24, 2005 Arnon, Posting pics at the moment is difficult - I am working in Angola for a while. I will try and remember to do so when I get back home. Mark Webster www.photec.co.uk Share this post Link to post Share on other sites
motionsync 0 Posted July 25, 2005 Alex I see that on the end you have purchase a Nikon 12-24mm. Why have you change your mind ? Share this post Link to post Share on other sites
Alex_Mustard 0 Posted July 25, 2005 Easy! I didn't have to pay for it! I swapped it with a friend for a 16mm (I had two - having been given an extra one). Its not a permanent exchange - its just until one of us wants the other lens back, which will probably be never! I can't afford to buy any glass at the moment, but if I had any money at the moment I would buy a Sigma 150mm macro! Alex Share this post Link to post Share on other sites
motionsync 0 Posted July 25, 2005 Nice swap Me meather have the money att the moment for second lens. Maybe its better so becauce I will learn to use my 10.5mm. Extrem wide angle is a heavy thing and I have Zero experience with DSLR under water. It will be hard work to master the 10.5 lens btw you can write a article about shooting with the 10.5. :-) Sigma 150mm Macro!! Are you going to shoot the structure off a fishs pupil :-) My next lens is I think the 16mm or 105mm. I hope tha Nikon will come with some new digital lenses like the 10,5 Lambis Share this post Link to post Share on other sites
Steve Jones 0 Posted July 27, 2005 Alex - did you consider the Nikkor 14mm? - or is that not wide enough given the crop factor? It's a great bit of glass and works well underwater, providing the dome is right -although it does suffer defocussed edges when wider than F8 on film (but the crop should take care of that) Steve Share this post Link to post Share on other sites
Alex_Mustard 0 Posted July 27, 2005 Never thought of that lens, Steve - although it has been on my radar recently because it takes the same size Magic Filter as the 10.5mm! Its a good suggestion, although I think it is quite pricey? Which tends to put off a cheap-skate like me! Personally I think that the 16mm is hard to beat as a wide angle for big animals on a DX sensor Nikon. I used it almost exclusively when I was in (your fave spot) S. Ari a couple of months ago. I still have mixed feelings about the 12-24mm. I guess I'll know a bit more once I have done a few shoots with it in my lens bag. But not snapping until I head to Bali in September. I do think that the 12-24mm is going to be excellent for coral spawning in the Caribbean later in that month. Alex Share this post Link to post Share on other sites